  藝術(shù)家 / Artist 策展人 / Curato 王友江 Wang youjiang 2023年北上北藝術(shù)策劃《非A》當代藝術(shù)對話國際展覽，為期一年分集系列展，將邀請國內(nèi)外具有影響力的當代藝術(shù)家參加，展覽是無主題性多元化的狀態(tài)，需要藝術(shù)家個體經(jīng)驗有態(tài)度的表達，在當下環(huán)境中發(fā)出自己獨特的聲音。 北上北藝術(shù)堅持倡導當代藝術(shù)精神，自由靈魂、獨立思考、反叛陳腐、追求原創(chuàng)，思考生存空間給予生命的待遇和尊嚴，藝術(shù)家通過自己的藝術(shù)作品啟迪人們?nèi)ニ伎己陀X醒。藝術(shù)家需要建立明確的態(tài)度及藝術(shù)主張，態(tài)度決定觀念，觀念決定語言 ，語言決定力量，沒有態(tài)度的語言是蒼白的。 當代藝術(shù)必須是具有國際視野下的藝術(shù)活動，只有站在人類文明理念去思考問題，才能認知文化語境獨特性與國際性的關系，不是一枝獨秀的自我欣賞，文化語境的跨越與融合是發(fā)展的必然。 In 2023, Beishangbei Art will plan the International Exhibition of Non A Contemporary Art Dialogue, which will be a one-year diversity series exhibition. Influential contemporary artists at home and abroad will be invited to participate in the exhibition. The exhibition is in a state of non thematic diversity, requiring artists to express their own experience and attitude, and make their own unique voice in the current environment. Beishangbei Art insists on advocating the spirit of contemporary art, free soul, independent thinking, rebelling against staleness, pursuing originality, thinking about the treatment and dignity of life given by living space, and artists inspire people to think and awaken through their own art works. Artists need to establish clear attitudes and artistic propositions. Attitude determines ideas, ideas determine language, and language determines power. Language without attitude is pale. Contemporary art must be an art activity with an international perspective. Only by thinking about issues from the perspective of human civilization can we recognize the relationship between uniqueness of cultural context and internationality. It is not a unique self appreciation. The leap and integration of cultural context is inevitable for development.   藝術(shù)家 / Artist 李向明 Li Xiangming 中國藝術(shù)家 1952年生于涉縣。受家傳影響，自幼習畫。曾研讀于中央美院、天津美院，美國克拉克學院訪問學者。 主要個展 2012年《土語·2012李向明藝術(shù)展》及《李向明藝術(shù)研討會》中國美術(shù)館 2010年《我的抽象之路·李向明藝術(shù)展》北京錦都藝術(shù)中心 2007年《土語2007·李向明藝術(shù)展》北京3818庫畫廊 2006年《李向明藝術(shù)展》德國99畫廊 2005年《土語·李向明藝術(shù)展》及《李向明藝術(shù)研討會》中國美術(shù)館 主要群展 2021年-圍屋之變-2021第17屆威尼斯建筑雙年展平行展（意大利） 2021年-周而復始-綜合材料繪畫學術(shù)邀請展（中國北京） 2020年-再生-2020年生態(tài)藝術(shù)作品全國邀請展（中國重慶） 2018年-曠野·百年鄉(xiāng)建當代藝術(shù)展（中國石家莊） 2014年-相遇絲綢之路·首屆中國新疆國際藝術(shù)雙年展（中國新疆） 2014年-沃土中原·吾土吾民油畫邀請展（中國濟南） 2014年-中法建交50周年·法國當代藝術(shù)既新現(xiàn)實主義沙龍展（中國北京） 2013年-'新抽象’2013油畫作品邀請展（中國江蘇） 2013年-窮盡·德國新表現(xiàn)主義即當代藝術(shù)展（中國北京） 2013年-ChiFra 2013中法藝術(shù)展（法國巴黎） 2013年-大象無形2013當代中國抽象畫展（中國杭州） 2012年-文脈中國·超寫意·架上10＋10展（中國南京） 2012年-共和國美術(shù)之路——中國美術(shù)館館藏作品展（中國天津） 2012年-倫敦奧林匹克美術(shù)大會（英國倫敦） 2012年-態(tài)度——與抽象藝術(shù)有關（中國上海） 2012年-多元的格局與價值的守望——當代藝術(shù)邀請展（中國北京） 2011年-北京國際藝術(shù)博覽會“新東方精神主題展”（中國北京） 2011年-文脈中國·超寫意10﹢10”藝術(shù)展（中國北京） 2010年-首屆華人抽象藝術(shù)展（中國重慶） 李向明的藝術(shù)歷經(jīng)了具象到抽象、繪畫到綜合材料、平面到空間的形式實踐；提出“土語”精神母題，建構(gòu)“補丁美學”概念；注重國際化語境下藝術(shù)本土性研究，強調(diào)藝術(shù)創(chuàng)作的根源性與藝術(shù)家生存經(jīng)驗的統(tǒng)一。 其作品參加了意大利威尼斯建筑藝術(shù)雙年展平行展、北京國際雙年展等國內(nèi)外重要學術(shù)展覽百余次；作品載入《共和國美術(shù)之路》《1979-1999中國當代美術(shù)》《1979-2019中國當代藝術(shù)四十年》《中國美術(shù)大事記》等幾十種史論文獻。作品收藏于中、美、德、法、英、俄、日、新、馬、泰、港、澳、臺等地美術(shù)館、藝術(shù)機構(gòu)或私人藏家；出版有《土語者》（三聯(lián)書店出版社2011）《有序無序》（河北教育出版社2004）《土語——李向明》（文化藝術(shù)出版社2011）等十多部。 近年來，作為一種文化態(tài)度和對當代藝術(shù)的思考，遠離中心，走向邊緣，關注問題的現(xiàn)場，尋找藝術(shù)與現(xiàn)實關聯(lián)的新可能。 Chinese artists He was born in 1952 in Shexian County. Influenced by family tradition, he learned painting from an early age. He studied at the Central Academy of Fine Arts, Tianjin Academy of Fine Arts, and Clark College in the United States. Major solo exhibitions 2012 Local Language · 2012 Li Xiangming Art Exhibition and Li Xiangming Art Seminar, China Art Museum 2010 My Road to Abstraction Li Xiangming Art Exhibition, Beijing Jindu Art Center 2007 Local Language 2007 · Li Xiangming Art Exhibition, Beijing 3818 Gallery 2006 Li Xiangming Art Exhibition, Art Gallery 99, Germany 2005 Local Language · Li Xiangming Art Exhibition and Li Xiangming Art Seminar, China Art Museum Main group exhibition 2021 - The Change of Enclosed Houses - Parallel Exhibition of the 17th Venice Architecture Biennale in 2021 (Italy) 2021 - Round the clock - Comprehensive Material Painting Academic Invitational Exhibition (Beijing, China) 2020 - Regeneration - 2020 National Invitational Exhibition of Ecological Art Works (Chongqing, China) 2018 - Wilderness · Century old Rural Construction Contemporary Art Exhibition (Shijiazhuang, China) 2014 - Meet the Silk Road · The First Xinjiang International Art Biennale (Xinjiang, China) 2014 - Invitational Exhibition of Rich Central Plains, Our Land and People's Oil Painting (Jinan, China) 2014 - the 50th anniversary of the establishment of diplomatic relations between China and France, French Contemporary Art New Realism Salon Exhibition (Beijing, China) 2013 - 'New Abstract' 2013 Oil Painting Invitational Exhibition (Jiangsu, China) 2013 - Exhaustion · German New Expressionism or Contemporary Art Exhibition (Beijing, China) 2013 - ChiFra 2013 Sino French Art Exhibition (Paris, France) 2013 - great form Is beyond shape 2013 Contemporary Chinese Abstract Painting Exhibition (Hangzhou, China) 2012 - Cultural China · Super Freehand · On shelf 10+10 Exhibition (Nanjing, China) 2012 - The Road to Art in the Republic - Exhibition of Works Collected by the National Art Museum of China (Tianjin, China) 2012 - London Olympic Art Conference (London, UK) 2012 - Attitude - Related to Abstract Art (Shanghai, China) 2012 - Multiple Pattern and Value Watch - Contemporary Art Invitational Exhibition (Beijing, China) 2011 - "New Oriental Spirit Theme Exhibition" of Beijing International Art Expo (Beijing, China) 2011 - Cultural China · Super Freehand 10+10 "Art Exhibition (Beijing, China) 2010 - The First Chinese Abstract Art Exhibition (Chongqing, China) Li Xiangming's art has gone through formal practice from concrete to abstract, from painting to comprehensive materials, and from plane to space; Propose the spiritual motif of "local language" and construct the concept of "patch aesthetics"; Emphasis is placed on the study of the localization of art in the context of internationalization, emphasizing the unity of the root cause of artistic creation and the artist's survival experience. His works have participated in over a hundred important academic exhibitions both domestically and internationally, including the parallel exhibition of the Venice Architecture Art Biennale in Italy and the Beijing International Biennale; The works have been published in dozens of historical literature, including "The Road of Art in the Republic", "1979 1999 Chinese Contemporary Art", "Forty Years of Chinese Contemporary Art 1979 2019", and "Chronicles of Chinese Art Events". The works are collected in art museums, art institutions, or private collectors in China, the United States, Germany, France, the UK, Russia, Japan, Singapore, Malaysia, Thailand, Hong Kong, Macau, Taiwan, and other places; He has published more than ten books, including "Tu Yu Zhe" (Sanlian Bookstore Press, 2011), "Ordered and Disordered" (Hebei Education Press, 2004), and "Tu Yu - Li Xiangming" (Culture and Art Press, 2011). In recent years, as a cultural attitude and reflection on contemporary art, it has moved away from the center, towards the edge, focused on the scene of problems, and sought new possibilities for the connection between art and reality.   李向明 / Li Xiangming 000 封 / 000 seals 300cmX400cm12件組合 / combination 木、膠、丙烯 / Wood, rubber, propylene 2022  李向明 / Li Xiangming 000 封（局部）/ 000 seals (Local) 100cmX100cm 木、膠、丙烯 / Wood, rubber, propylene 2022  李向明 / Li Xiangming 000 封（局部）/ 000 seals (Local) 100cmX100cm 木、膠、丙烯 / Wood, rubber, propylene 2022 藝術(shù)思考： 近年來，在當代藝術(shù)存在的價值與意義越來越復雜多元，許多不確定因素越來越模糊的當下，藝術(shù)生存出現(xiàn)了全球性困境。在世界的大部分城市和地區(qū)，一百多年的現(xiàn)代主義演化，與古典傳統(tǒng)一樣，擱淺在傳統(tǒng)的舞臺，成為消費文化的寵兒。藝術(shù)的前沿已經(jīng)在科技數(shù)字、算法領域?qū)ひ捯曈X創(chuàng)造的新可能。 正是在這種背景下，作為從架上出發(fā)，不斷探究的藝術(shù)家，遠離中心，走向邊緣，關注問題的現(xiàn)場，尋找藝術(shù)與現(xiàn)實關聯(lián)的原始價值，也許成為當代性的新可能。同時，我以此作為一種文化態(tài)度甘之如飴樂此不疲。 Artistic thinking: In recent years, at a time when the value and significance of contemporary art are more and more complex and diverse, and many uncertain factors are more and more vague, the existence of art has encountered a global dilemma. In most cities and regions of the world, more than a hundred years of modernist evolution, like the classical tradition, has been stranded on the traditional stage and become the darling of consumer culture. The frontier of art has been searching for new possibilities of visual creation in the field of scientific and technological figures and algorithms. It is against this background that, as an artist who sets out from the frame and continues to explore, it may become a new possibility of modernity to stay away from the center, move to the edge, focus on the scene of problems, and seek the original value of the connection between art and reality. At the same time, I enjoy this as a cultural attitude.  李向明 / Li Xiangming 000 封（局部）/ 000 seals (Local) 100cmX100cm 木、膠、丙烯 / Wood, rubber, propylene 2022  李向明 / Li Xiangming 000 封（局部）/ 000 seals (Local) 100cmX100cm 木、膠、丙烯 / Wood, rubber, propylene 2022  李向明 / Li Xiangming 000 封（局部）/ 000 seals (Local) 100cmX100cm 木、膠、丙烯 / Wood, rubber, propylene 2022 藝術(shù)家 / Artist 杜 元 Du Yuan 中國藝術(shù)家 1962年生。1983年考入西安美術(shù)學院中國畫系，修山水專業(yè)。1987年后，一直生活于蘭州。 1997年《蘭州十人繪畫作品展》（蘭州--南京） 1998年第二回《步行者》六人繪畫展(上海) 1999年“百人·百姓”畫展（南京） 2002年國畫作品“南山遲暮”參加蘭州美協(xié)赴日本交流展 2003年油畫作品“山水文本·9”參加甘肅省油畫作品展 2004年3月--4月在VSC參加國際～藝術(shù)交流 2004年7月在美國舊金山“中國畫廊”（CHINESE ART GALLERY）應邀舉辦個展 2005《游于藝》當代藝術(shù)邀請展（蘭州） 2006《傳統(tǒng)的延異》中國當代紙本彩墨新藝術(shù)邀請展（何香凝美術(shù)館） 2017《超以象外》杜元魏翰邦樊鈞書畫展（蘭州） 2018《春醒》當代藝術(shù)展（蘭州） 2021《夏夢》—2+5+5藝術(shù)展（蘭州） Chinese Artists Born in 1962. In 1983, he was admitted to the Chinese Painting Department of Xi'an Academy of Fine Arts and studied landscape architecture. Since 1987, I have been living in Lanzhou. 1997 "Lanzhou Ten People Painting Exhibition" (Lanzhou Nanjing) 1998 Second "Walker" Six Person Painting Exhibition (Shanghai) 1999 "Hundred People · People" Art Exhibition (Nanjing) 2002, the traditional Chinese painting "Nanshan Evening" participated in the Lanzhou Artists Association's Japan Exchange Exhibition 2003, the oil painting work "Landscape Text · 9" participated in the Gansu Oil Painting Exhibition Participated in international art exchange at VSC from March to April 2004 Invited to hold a solo exhibition at CHINESE ART GALLERY in San Francisco, USA in July 2004 2005 "You Yu Yi" Contemporary Art Invitation Exhibition (Lanzhou) 2006 Traditional Difference Invitation Exhibition of Chinese Contemporary Paper based Color Ink Art Nouveau (He Xiangning Art Museum) 2017 "Beyond the Elephant" Du Yuan, Wei Hanbang, Fan Jun Calligraphy and Painting Exhibition (Lanzhou) 2018 "Spring Awakening" Contemporary Art Exhibition (Lanzhou) 2021 "Summer Dream" -2+5+5 Art Exhibition (Lanzhou) 杜 元 / Du Yuan 南川 / Nanchuan 68x46cm 宣紙、墨 / Xuan paper, ink 2022 杜 元 / Du Yuan 東鄉(xiāng) / Dongxiang 68x46cm 宣紙、墨 / Xuan paper, ink 2022 藝術(shù)思考： 繪畫之事——畫，是用來看的。漢語中有“見”“看”“視”“觀”諸字，表示目之所及?！澳繐舻来妗备蔷辰?。那末，“視而不見”就是對“觀看”的徹底諷刺。所以，視而可見，視而可看，視而可觀，視而可覺者，即是畫事之要，沒有其二。剩下的，就是各種滋味了……大師畫者如此，兒童畫者亦如此。 Artistic Thinking: The matter of painting - painting is for viewing. In Chinese, there are various characters such as "see", "see", "see", and "observe", which indicate the reach of the eye. The concept of 'witnessing and preserving' is even more of a realm. So, 'turning a blind eye' is a complete satire on 'watching'. So, seeing and being visible, seeing and being able to see, seeing and being able to perceive, is the essence of painting, and there are no two. The rest is all kinds of flavors... master painters are like this, and so are children's painters. 杜 元 / Du Yuan 西川 / Xichuan 68x46cm 宣紙、墨 / Xuan paper, ink 2022 杜 元 / Du Yuan 西岔 / Xicha 68x46cm 宣紙、墨 / Xuan paper, ink 2022 杜 元 / Du Yuan 西川 / Xichuan 68x46cm 宣紙、墨 / Xuan paper, ink 2022 藝術(shù)家 / Artist 農(nóng)少華 Nong Shaohua 中國藝術(shù)家 2012 “碎片與記憶”農(nóng)少華個展，北京MN藝術(shù)空間 北京 2012 “聚” 農(nóng)少華個展，北京110藝術(shù)空間 北京 2013 “日常心印” 農(nóng)少華油畫展，北京抽象藝術(shù)畫廊 北京 2013 首屆中國意向表現(xiàn)主義繪畫邀請展 北京 2014 “流金歲月”農(nóng)少華個展，北京阿特畫廊 北京 2014 “罌粟氣味”農(nóng)少華個人油畫展，北京熙藝術(shù)空間 北京 2014 南京國際藝術(shù)展 南京 2014 798，3138庫A藝術(shù)空間“老農(nóng)加北二人展 北京 2014 “所知 所得 與所感” 北京鐙明萬渮美術(shù)館 北京 2015 “藝術(shù)無界”上上美術(shù)館 北京 2015 “剝離呈象” 當代名家邀請展 圣之空間 北京 2015 “冷暖之間”銀河空間美術(shù)館 北京 2015 “江山如畫”第三屆油畫寫生展 2015 中國當代藝術(shù)家北海道聯(lián)展 日本 2015 船長農(nóng)少華家北二人展 大河灣美術(shù)館 北京 2015 異述坊油畫沙龍2015年度油畫精品展 上上美術(shù)館 北京 2016 參加紅門國際藝術(shù)家駐地項目 北京 2016 棄?器--個體精神的呈現(xiàn) 北京 2016 香港 ART CENTRAL 藝術(shù)博覽會 香港 2016 “心靈的蒙太奇”農(nóng)少華個展 紅門畫廊 北京 2016 郎舍紅門畫廊二十五周年展 紅門畫廊 北京 2016 另類轉(zhuǎn)換 少華家北雙個展（第三回） 北京 2016 “海納百川 壁立千仞”宋莊聯(lián)展 東區(qū)藝術(shù)中心 北京 2016 秘密花園國際藝術(shù)展 當代美術(shù)館 北京 2016 10年（2006-2016）--宋莊美術(shù)館建館十周年特展 宋莊美術(shù)館 北京 2016 SPLURGE! WITH SURGE大撒把--藝起冬日閃秀 紅門畫廊 北京 2016 第二屆《獨立品格提名展》大河灣金獎 大河灣美術(shù)館 北京 2016 棄·器--一個體精神的呈現(xiàn) 大河灣美術(shù)館 北京 2017 繼往開來 紅門畫廊 北京 2018 大河灣美術(shù)館2018年首個重要展事： 不可歸類?藝術(shù)研究展 大河灣美術(shù)館 北京 2018 大河灣美術(shù)館2018年首個重要展事： 不可歸類?藝術(shù)研究展 大河灣美術(shù)館 北京 2018 Madness + Mayhem《靜謐與瘋狂》- Nong Shaohua農(nóng)少華個展 紅門畫廊 北京 2018 ART CENTRAL 藝博會 | Red Gate at ART CENTRAL 香港 2019 當代藝術(shù)“筷子” 展 Stockroom space gallery 墨爾本 2019 聯(lián)展"拼盤" 原創(chuàng)：Live in art Gallery 悉尼 2019 第三節(jié)獨立品格提名展 大地藝術(shù)中心 二等獎（一等獎空缺） 北京 2019 Art Central 2019紅門畫廊 北京 2020，一個時間的富有者，紅門畫廊 Chinese Artists 2012 "Fragments and Memory" Nong Shaohua Solo Exhibition, MN Art Space, Beijing 2012 "Ju" Nong Shaohua Solo Exhibition, Beijing 110 Art Space, Beijing 2013 "Daily Heart Print" Nong Shaohua Oil Painting Exhibition, abstract art Gallery, Beijing 2013 The First Chinese Intentional expressionism Painting Invitation Exhibition Beijing 2014 "Golden Years" Nong Shaohua Solo Exhibition, Beijing Art Gallery, Beijing 2014 "Poppy Smell" Nong Shaohua's Personal Oil Painting Exhibition, Beijing Xi Art Space, Beijing 2014 Nanjing International Art Exhibition Nanjing 2014 7983138 Art Space A "Old Farmer and North Two Person Exhibition" Beijing 2014 "Knowledge, Gains, and Feelings" Beijing Dingming Wanxing Art Museum Beijing 2015 "Boundless Art" Shangshang Art Museum Beijing 2015 "Stripping the Appearance" Contemporary Famous Artist Invitation Exhibition Space Beijing 2015 "Cold and Warm" Galaxy Space Art Museum Beijing The Third "picturesque Jiangshan" Oil Painting Exhibition 2015 2015 Chinese Contemporary Artists Hokkaido Joint Exhibition Japan 2015 Captain Nong Shaohua's North Two Person Exhibition Dahewan Art Museum Beijing 2015 Yishufang Oil Painting Salon 2015 Annual Oil Painting Exhibition at the Art Museum in Beijing 2016 Participated in the Hongmen International Artist Residence Project in Beijing 2016 Abandoned? Instrument - Presentation of Individual Spirit Beijing 2016 Hong Kong ART Central Art Expo Hong Kong 2016 'Montage of the Soul' Nong Shaohua Solo Exhibition Red Gate Gallery Beijing 2016 Langshe Hongmen Gallery 25th Anniversary Exhibition Hongmen Gallery Beijing 2016 Alternative Conversion Shaohua Jiabei Double Exhibition (Third Session) Beijing 2016 "Haina Baichuan Wall Standing Thousand Rens" Songzhuang Joint Exhibition East District Art Center Beijing 2016 Secret Garden International Art Exhibition Contemporary Art Museum Beijing 2016 10 (2006-2016) - Special Exhibition for the 10th Anniversary of the Establishment of Songzhuang Art Museum, Songzhuang Art Museum, Beijing 2016 SPLURGE! With SURGE Dasha - Yiqi Winter Shining Show Red Gate Gallery Beijing 2016 2nd Independent Character Nomination Exhibition Dahewan Gold Award Dahewan Art Museum Beijing 2016 Abandoned Items - Presentation of an Individual Spirit at Dahewan Art Museum Beijing 2017 Carrying Forward the Past and Opening up the Future, Hongmen Gallery, Beijing The first important exhibition event of 2018 at Dahewan Art Museum: Unclassified? Art Research Exhibition Dahewan Art Museum Beijing The first important exhibition event of 2018 at Dahewan Art Museum: Unclassified? Art Research Exhibition Dahewan Art Museum Beijing 2018 Madness+Mayhem "Silence and Madness" - Nong Shaohua solo exhibition Red Gate Gallery Beijing 2018 ART Central Art Expo | Red Gate at ART Central Hong Kong 2019 Contemporary Art "Chopsticks" Exhibition Stockroom Space Gallery Melbourne 2019 Joint Exhibition "Pinplate" Original: Live in Art Gallery Sydney Second Prize of the Earth Art Center at the 2019 Independent Character Nomination Exhibition (First Prize Vacant) Beijing 2019 Art Central 2019 Red Gate Gallery Beijing 2020, A Time of Wealthy, Red Gate Gallery 農(nóng)少華 / Nong Shaohua 一個無名的下午 / An unnamed afternoon 40x60cm 布面油畫 / Oil on canvas 2023 農(nóng)少華 / Nong Shaohua 小城故事多 / There are many stories in the small town 100x80cm 布面油畫 / Oil on canvas 2023 藝術(shù)思考： 創(chuàng)作理念～～～信息和互聯(lián)網(wǎng)時代，個 體的，差異的，傳統(tǒng)的油畫依然充滿魅力，對生存困境和個體精神的思考反思，我們這個時代需要有人文關懷有批判意識的藝術(shù)家，而作為畫家每天都對自己有所期待并保持活力和拯救能力，這個是作為藝術(shù)家最基本的前提～～～ Artistic Thinking: Creative Concept~~In the Information and Internet Era Traditional oil painting is still full of charm, reflecting on survival difficulties and individual spirit. In this era, we need artists with humanistic care and critical consciousness. As painters, we have expectations for ourselves every day and maintain vitality and rescue ability, which is the most basic prerequisite for being an artist 農(nóng)少華 / Nong Shaohua 漫步者 / rambler 50x60cm 布面油畫 / Oil on canvas 2023 農(nóng)少華 / Nong Shaohua 瞬間的驚恐 / Instantaneous panic 100x80cm 布面油畫 / Oil on canvas 2023 農(nóng)少華 / Nong Shaohua 無題 / untitled 90x160cm 布面油畫 / Oil on canvas 2023 藝術(shù)家 / Artist 大 余 Da Yu 中國藝術(shù)家 1988湖北美術(shù)學院 2016-2017中央美術(shù)學院，當代藝術(shù)理念批評研修班 2022年：北京國際青年戲劇節(jié)《寬恕尾椎》表演及出品人，北京國家話劇小劇院、 杭州藝苑劇場 2021年：異域展 上海八號橋1908糧倉藝術(shù)空間。 2021年：第四屆中國舞臺美術(shù)展暨第四屆視覺藝術(shù)雙年展。作品《我們做了什么》3D數(shù)字影像裝置，北京國際展覽中心 2019年：潛行者計劃，作品，《煙囪上的市井》影像裝置。中國北京宋莊當代藝術(shù)文獻館， 策展人：吳鴻 2019年：光州市立美術(shù)館北京書信展。《輪回--社會現(xiàn)象.NO.4又是一次盛世》架上油畫、《生命維度》架上轉(zhuǎn)換數(shù)字動畫韓國光州市立美術(shù)館 2016年：第一屆藝術(shù)媒體提名展 四川美術(shù)學院 2015年：“2015—法國巴黎大皇宮“藝術(shù)首都”大展。作品《生命維度》架上 2015年：萬神-中國當代藝術(shù)的圣家族。作品《無常—無我》架上，策展人：吳鴻，北京，當代藝術(shù)文獻館： 1992年：首屆中國當代藝術(shù)展。 個人展覽： 2008年：輪回-生命.社會現(xiàn)象，江蘇，周莊當代藝術(shù)館 2006年：生命的鮮活，廣州東方館 人物專訪： 2007年廣州影視頻道《今日鑒賞》 2008年昆山電視臺《城市報道》 Chinese Artists 1988 Hubei Academy of Fine Arts 2016-2017 Central Academy of Fine Arts, Contemporary Art Concept Criticism Seminar 2022: Performer and producer of "Forgiveness of the Tail Spine" at the Beijing International Youth Drama Festival, Beijing National Theatre Hangzhou Yiyuan Theater 2021: Exotic Exhibition Shanghai No. 8 Bridge 1908 Grain Warehouse Art Space. 2021: The Fourth China Stage Art Exhibition and the Fourth Visual Art Biennale. The 3D digital imaging device for the work 'What We Did', Beijing International Exhibition Center 2019: Project Sneaker, work, "Marketplace on Chimney" imaging installation. Beijing Songzhuang Contemporary Art Literature Museum, China, curated by Wu Hong 2019: Guangzhou Municipal Art Museum Beijing Letters Exhibition. Reincarnation - Social Phenomena. NO. 4: Another Prosperous Era "on the shelf oil painting," Life Dimension "on the shelf conversion digital animation, Gwangju City Art Museum, South Korea 2016: First Art Media Nomination Exhibition Sichuan Academy of Fine Arts 2015: The "Art Capital" exhibition at the Grand Palace in Paris, France. On the shelf of the work 'Dimension of Life' 2015: All Gods - The Holy Family of Contemporary Chinese Art. The work "impermanence without me" is on display, curated by Wu Hong, Beijing, Contemporary Art Museum: 1992: The first China Contemporary Art Exhibition. Personal Exhibition: 2008: Reincarnation - Life. Social Phenomena, Zhouzhuang Contemporary Art Museum, Jiangsu 2006: The Liveliness of Life, Guangzhou Oriental Pavilion Person Interview: 2007 Guangzhou Film and Television Channel "Today Appreciation" 2008, Kunshan TV Station's "City Report" 大 余 / Da Yu 輪回·一切是一 / Reincarnation - Everything is One 裝置 / device 2015 大 余 / Da Yu 大工業(yè) / Big industry 裝置 / device 2016 藝術(shù)思考： 事物生于何處，必將毀于何處，因為它們必遵循時間的秩序支付罰金，為其非正義性而受到審判 ”。啊那克西曼德，雖然他持有悲觀主義情結(jié)。可當下的我們應如何理解，如何去思考?！按蠊I(yè)時代已給我們當下的生存帶來極大的傷害，我們也已支付了大量的罰金，也感受到了自然,無情的回報和審判。大工業(yè)時代失去的僅僅是對自然生態(tài)與身體健康的損傷，而它的警示的是我們當下快速的數(shù)字化時代背后隱藏的危機，值得我們思考與反思。數(shù)字化時代的狂熱與集體參入的無意識的追逐，將不僅是支付罰金的懲罰，它將可能是我們?nèi)祟愃枷肱c精神的缺失，如是這樣人類將毫無生存的意義。 Artistic Thinking: Wherever things are born, they will inevitably be destroyed, because they must pay fines in accordance with the order of time and be judged for their injustice. Ah, Naximander, although he holds a pessimistic sentiment. How should we understand and think about the current situation. The era of big industry has brought great harm to our current survival, and we have also paid a large amount of fines and felt the merciless rewards and judgments of nature. What the era of big industry has lost is only damage to the natural ecology and physical health, and its warning is the crisis hidden behind our rapid digital era, which is worth pondering and reflecting on. The enthusiasm of the digital era and the unintentional collective participation The pursuit of knowledge will not only be a punishment for paying fines, but it may also be a deficiency in our human thinking and spirit. In this way, humanity will have no meaning for survival. 大 余 / Da Yu 平行世界 / parallel world 250X120cm 水墨、丙烯、水性膠、油畫顏料 / Ink, acrylic, water-based adhesive, oil painting pigments 2021 大 余 / Da Yu 數(shù)字影像 / Digital Image 2022 大 余 / Da Yu 3D數(shù)字影像 / 3D digital imaging 2023 藝術(shù)家 / Artist 楓 翎 Feng Ling 中國藝術(shù)家 1986-1990年哈爾濱藝術(shù)學院油畫系學習，獲學士學位。 1995-1997年中央美院油畫系第九屆研究生班。 2002年8月入駐798藝術(shù)區(qū)并創(chuàng)立自己的工作室(2002-2015)。現(xiàn)在以獨立藝術(shù)家的身份工作生活在北京-洛杉磯。 作品收藏 兩件作品在2018年法國巴黎已有百年歷史的“BOISGIRARD-ANTONINI”春季拍賣上成交。奧地利維也納市政廳、奧地利駐中國大使館、美國花旗銀行、 戴高樂基金會、北京尤倫斯藝術(shù)中心等。 主要展覽 2023盧森堡迪基希市美術(shù)館（ Ville de Diekirch) 和文化中心，《跨越國界 Au-delà des frontières -中國當代藝術(shù)展L'art contemporain chinois》 2022蘇州過云樓美術(shù)館 當代藝術(shù)群展 中國 蘇州市 2019“SILK”三人展，意大利阿梅利亞藝術(shù)節(jié) 2018TORRANCE當代美術(shù)館，楓翎個人藝術(shù)項目“4X3 M2 TRANQUIL TRANSFORMATION”，美國洛杉磯“物換星移”個展，北京七＋三國際藝術(shù)空間“SWORN SISTERS” 當代藝術(shù)展，朱雀畫廊，澳大利亞悉尼 2016“WOMEN MANIFEST: AT THE CORE” 國際女性藝術(shù)群展，西好萊塢圖書館，美國洛杉磯“Mass Attack”當代藝術(shù)群展，圣地亞哥美術(shù)館，美國 2015“度”個展，在三畫廊塑三新空間，北京中國意大利雙年展“長生不老藥、文明在今天，意大利北部城市都靈 “WATER WORKS II” 群展，Liz’s Fine Art Gallery美國洛杉磯，比弗利山莊 2014年“1964-2014法中建交五十周年50位中國當代藝術(shù)家邀請展”戴高樂基金會，法國巴黎“記憶”中國意大利當代藝術(shù)雙年展，北京798藝術(shù)工廠“AURORA” 群展，GALLERY 825，美國洛杉磯 2013“女性. 改變. 世界”奧地利駐中國大使館個展，北京 2011“迷航”個展，北京798藝術(shù)區(qū)悅美術(shù)館，北京“O2”香港馬術(shù)俱樂部當代藝術(shù)群展，北京 2009“生化-虛實之間-動漫美學雙年展”，今日美術(shù)館，北京 2009“寓意非現(xiàn)實-動漫美學雙年展”，上海當代美術(shù)館 2008洛桑奧林匹克博物館“BEIJING 2008”，瑞士 2007 “Oro d’Autore, Tribute to Piero”當代藝術(shù)設計邀請展，意大利 2006上海正大集團別墅區(qū)“山水”展，上海 2001“知識就是力量”當代藝術(shù)展，北京西單圖書大廈中意藝術(shù)家“對話”展，曼托瓦青年博物館。 Chinese Artists I studied in the Oil Painting Department of Harbin Institute of Art from 1986 to 1990 and obtained a bachelor's degree. The 9th graduate class of the Oil Painting Department of the Central Academy of Fine Arts from 1995 to 1997. In August 2002, he settled in 798 Art District and established his own studio (2002-2015). I am currently working and living as an independent artist in Beijing Los Angeles. Collection of works Two works were sold at the 2018 "BOISGIRARD ANTONINI" spring auction in Paris, France, which has a history of 100 years. Vienna City Hall, Austrian Embassy in China, Citibank, Charles de Gaulle Foundation, Ullens Art Center in Beijing, etc. Main exhibitions 2023 Ville de Diekirch and Cultural Center, Luxembourg, "Cross Borders Au del à des fronti è res - L'art contemporary china exhibition" 2022 Suzhou Guoyunlou Art Museum Contemporary Art Group Exhibition, Suzhou, China 2019 "SILK" Trio Exhibition, Amelia Art Festival, Italy 2018 TORRANCE Contemporary Art Museum, Fengling Personal Art Project "4X3 M 2 TRANQUIL TRANSFORMATION ", solo exhibition of" Changing Things and Stars "in Los Angeles, USA, contemporary art exhibition of" SWORN SISTERS "in Beijing 7+3 International Art Space, Zhuque Gallery, Sydney, Australia 2016 "WOMEN MANIFEST: AT THE CORE" International Women's Art Group Exhibition, West Hollywood Library, Los Angeles, USA "Mass Attack" Contemporary Art Group Exhibition, San Diego Art Museum, USA 2015 "Du" solo exhibition, creating three new spaces in three galleries, Beijing China Italy Biennale "Immortal Medicine, Civilization Today," WATER WORKS II "group exhibition in the northern Italian city of Turin, Liz's Fine Art Gallery, Beverly Hills, Los Angeles, United States 2014 "Exhibition of 50 Chinese Contemporary Artists for the 50th Anniversary of the Establishment of Diplomatic Relations between France and China from 1964 to 2014", Charles de Gaulle Foundation, Paris, France "Memory" China Italy Contemporary Art Biennale, Beijing 798 Art Factory "AURORA" Group Exhibition, GALLERY 825, Los Angeles, United States 2013 "Women, Change, World" solo exhibition at the Austrian Embassy in China, Beijing 2011 "Lost" solo exhibition, Yue Art Museum, 798 Art District, Beijing, "O2" Hong Kong Equestrian Club Contemporary Art Group Exhibition, Beijing 2009 "Biochemistry Between Reality and Reality Animation Aesthetics Biennale", Today Art Museum, Beijing 2009 "Implied Unreality - Anime Aesthetics Biennale", Shanghai Contemporary Art Museum 2008 Olympic Museum in Lausanne "BEIJING 2008", Switzerland 2007 "Oro d'Autore, Tribute to Piero" Contemporary Art and Design Invitation Exhibition, Italy 2006 Shanghai Zhengda Group Villa Area "Landscape" Exhibition, Shanghai 2001 "Knowledge is Power" Contemporary Art Exhibition, Beijing Xidan Book Building Sino Italian Artist "Dialogue" Exhibition, Mantova Youth Museum. 楓 翎/ Feng Ling 生命密碼0207001#雙聯(lián) / The Code Of Life 0207001#Duplex 235X310CM 畫布上的混合媒體 / Mix Media on Canvas 2020 楓 翎 / Feng Ling 生命密碼0206001# / The Code Of Life 0206001# 150X210CM 畫布上的混合媒體 / Mix Media on Canvas 2020 藝術(shù)思考： "生命的密碼是我們對生活的積極回應" 于我而言，藝術(shù)的自由始終來自于精神的自由，并努力使之成為一種觸及當下與未來連接的可能。在藝術(shù)創(chuàng)造和現(xiàn)代社會相互碰撞的臨界點，通過多變的個人藝術(shù)風格，對生活的本體性，甚至是思考方式，都提出了不同的質(zhì)疑。 Artistic Thinking: "The code of life is our positive response to life" For me artistic freedom requires anopenness of spirit and mind for me By continually renewing my individualapproaches to my art my eachquestion the way we live and think, now and in the future, at the creativecrossroads of art and modern society. 楓 翎 / Feng Ling 生命密碼0206003# / The Code Of Life 0206003# 150X150CM 畫布上的混合媒體 / Mix Media on Canvas 2022 楓 翎 / Feng Ling 生命密碼0207001# / The Code Of Life 0207001# 150X150CM 畫布上的混合媒體 / Mix Media on Canvas 2022 楓 翎 / Feng Ling 生命密碼0209003# / The Code Of Life 0209003# 60X80CM 畫布上的混合媒體 / Mix Media on Canvas 2022 藝術(shù)家 / Artist 金正演 Kim,Jeongyeon 韓國藝術(shù)家 1971 出生于韓國全南羅州 1999韓國朝鮮大學美術(shù)學院碩士畢業(yè) 個展 8回 光州，全州，釜山，首爾 等 主要群展 2021 藝術(shù)光州: 21 - 心靈的禮物，金大中會展中心，光州，韓國 2021 北區(qū)藝術(shù)人 藝術(shù)分享小作品展，金鳳美術(shù)館，光州，韓國 2021 第8屆無等藝術(shù)節(jié)均價銷售店展，無等畫廊，光州，韓國 2021 藝術(shù)光州: 21 Preview，觀善齋畫廊，光州，韓國 2020 藝術(shù)光州: 20 青年藝術(shù)家眺望展 - My way 地區(qū)藝術(shù)的自生力量，Gallerybom，光州，韓國 2020 陶畫軒20周年紀念展 - 20移山，陶畫軒美術(shù)館，全南高興，韓國 2020 2018-2019 光州市立美術(shù)館北京創(chuàng)作中心:北京疾走，光州市立美術(shù)館，光州，韓國 2019無等藝術(shù)節(jié)–小作品均價銷售展，無等畫廊，光州，韓國 2018萬象 - 100位藝術(shù)家名作收藏展，海美術(shù)館，威海，中國 2018 磨磚 - 第三屆長城藝術(shù)展，遵化大石谷長城，河北，中國 2018 光州市立美術(shù)館北京創(chuàng)作中心 第10期駐館藝術(shù)家工作室開放展，光州市立美術(shù)館北京創(chuàng)作中心，北京，中國 2016 光州雙年展特別展:光·生命·物質(zhì)/身體，國立亞洲文化殿堂，光州，韓國 2015 殘疾人非殘疾人文化藝術(shù)大院 2015 –一起，雙年展展館，光州，韓國 2014 光州雙年展 20周年紀念特別項目 - 甜蜜露水1980 之后，錦南路，光州，韓國 獲獎及駐地項目 2018 光州市立美術(shù)館北京創(chuàng)作中心駐地藝術(shù)家 2008 光州市立美術(shù)館八角亭創(chuàng)作工作室駐地藝術(shù)家 Korean artists 1971 Born in Korean artistsNaju, Chonnam, Korea 1999 Master's degree from the School of Fine Arts, North Korean University Solo Exhibitions - 8times Gwangju, Jeonju, Busan, Seoul, etc. Selected Group Exhibitions 2021 Art Gwangju: 21 - Gift of the Heart, Kimdaejung Convention Center, Gwangju, Korea 2016 Korea & China IntrenationalExhihition, 光-生-物The Special Exhibition of Gwangju Biennale, Asia Culture Center, Gwangju, Korea 2015 Artist Competition Exhibition of Able-bodied & disabled, Gwangju Beinnale Hall, Gwangju, Korea 2014 Sweet Dew, Since 1980, The special project for the 20th anniversary of the Gwangju Biennale, Geumnamro street, Gwangju, Korea Award & Residency 2018 Gwangju Museum of Art Beijing Residency, China 2008 Artist in Residency, Palkakjung Art Studio, Gwangju Museum of Art, Korea 金正演 / Kim,Jeongyeon 凝視- 你是… / Staring - You are… 140x73cm 宣紙、鉛筆素描 / Pencil on Korean Paper 2007 金正演 / Kim,Jeongyeon 孤獨 / Lonely 46x43cm 宣紙、鉛筆素描 / Pencil on Korean Paper 2011 藝術(shù)思考： 與其說是傷感的鄉(xiāng)愁，不如說是喚起悔恨相似的感情，讓人看到日常的素顏。 金正演繪畫的魅力就像"窺視"的擴張一樣。 在水平線、水流、平靜的海浪、矮小的島嶼上，冷靜地加入了畫者的心境，展現(xiàn)了最大限度的節(jié)制繪畫。 而且即使沒有人物或具體情況安排，也能給觀眾留下解釋的余韻，使我們可靜觀和思索。這種節(jié)制反而把畫幅外的欣賞者吸引到畫幅里。筆者認為，說話者和欣賞者的情緒一致感并不是源于作品的裝飾性和絢爛的表現(xiàn)力，而是源于能夠擁抱彼此生活的繪畫真實性。- 摘錄于策展人Ko Young-jae的文章 Artistic Thinking: It evokes a sort of remorse rather than sentimental nostalgia and lets us look inside our daily lives as they are.Kim’s appeal of paintings is just like the expansion of 'looking inside’. She has substituted her feelings on each component of her works such as horizons and waterways, gentle waves and low islands. Also she has shown as understated paintings as possible. Without any specific settings of figures or situations, her works leave a bit of room for interpretation and it allows viewers to be absorbed in more through than observation, in other words, she invites viewers into the canvas. I think that the emotional consentience between the artist and the viewers comes from not the flashy expressiveness of art but the malerisch reality to empathize with each other’s life. - Excerpts from Curator Ko Young-jae 金正演 / Kim,Jeongyeon 地下情 / Secret love 46x43cm 宣紙、鉛筆素描 / Pencil on Korean Paper 2013 金正演 / Kim,Jeongyeon 單相思 / Unrequited love 46x43cm 宣紙、鉛筆素描 / Pencil on Korean Paper 2012 金正演 / Kim,Jeongyeon 想象 / imagine 89.4x130.3cm 布面油畫 / Oil on Canvas 2017 藝術(shù)家 / Artist 趙星太 Cho,Sungtai 韓國藝術(shù)家 1973 出生于韓國全南和順 2000 湖南大學美術(shù)系畢業(yè) 2004全北大學美術(shù)學院碩士畢業(yè) 現(xiàn)，大韓民國美術(shù)大展推薦藝術(shù)家 個展 3回光州，首爾，全州等 主要群展 2021 城市圖鑒- 中韓文化藝術(shù)交流展，沈陽新世界博覽館，沈陽，中國 2021 第二屆成都國際大地藝術(shù)節(jié)，成都國際大地藝術(shù)節(jié)戶外空間，成都，中國 2020光州新媒體藝術(shù)節(jié)，國立亞洲文化殿堂，光州，韓國 2020 2018-2019 光州市立美術(shù)館北京創(chuàng)作中心:北京疾走，光州市立美術(shù)館，光州，韓國 2019 光州市立美術(shù)館北京創(chuàng)作中心第11期駐館藝術(shù)家作品展，798圣之空間，北京，中國 2019 視點 - 韓中作藝術(shù)家交流展，駐華韓國文化院，北京，中國 2019 東方冥想指南- 中韓當代藝術(shù)交流展，遠洋樂堤港空中美術(shù)館，杭州，中國 2018 WYNWOOD，藝博會展廳，邁阿密，美國 2017 SOFA Art Show，藝博會展廳，芝加哥，美國 2013 Asia Contemporary Art Show，萬豪酒店，香港，中國 獲獎及駐地項目 2019 光州市立美術(shù)館北京創(chuàng)作中心駐地藝術(shù)家 2008大韓民國美術(shù)大展大獎（美術(shù)全領域綜合） 2006韓國美術(shù)大展 特選獎 Korean artists 1973 Born in Hwasun, Korea 2000 BFA Honam University, Gwangju, Korea 2004 MFA Chonbuk National University, Jeonju, South Korea Currently, recommended artists for the Korea Art Exhibition Solo Exhibitions - 3times Gwangju, Seoul, Jeonju, etc. Selected Group Exhibitions 2021 Urban Atlas - China-Korea Cultural and Art Exchange Exhibition, Shenyang New World Expo, Shenyang, China 2013 Asia Contemporary Art Show, Marriott Hotel, Hong Kong, China Award & Residency 2019 Artist in Beijing Residency,Guangzhou Museum of Art 2008 Grand Art Exhibition of Korea Grand Award in Entire Art Category, National Museum of Modern and Contemporary Art (MMCA), Seoul, South Korea 2006 Grand Art Exhibition of Korea Speical Jury Prize, Nationaql Museum of Modern and Contemporary Art (MMCA), Seoul, South Korea 趙星太 / Cho,Sungtai 被形成2 / Be formed 2 45x59x7cm 綜合材料 / mixed media 2019 趙星太 / Cho,Sungtai 被形成4 / Be formed 4 45x59x7cm 綜合材料 / mixed media 2019 藝術(shù)思考： 我們在叫社會的空間里像小小的能量一樣存在。 作為凝縮在許多能量的集合體中的構(gòu)成體，存在于一切動態(tài)之中。就像被巨大的河流沖走一樣，無法抗拒的潮流所席卷般存在，在其中不知去向何方，不斷探索、沉溺、變化著。最后在其變化的浪潮中留下叫歷史的痕跡后消失。人類的歷史并沒有脫離大的趨勢，就是對于新事物的無限渴望和挑戰(zhàn)，形成新的心理和價值觀并在這個背景中試圖不斷的努力和變化。作為一個不完整的個體，對于人類來說群眾是不可或缺的，其集合體在創(chuàng)造新的思想、啟蒙、理念，一直追求著朝向新世界的理想。我在作品中主要講群體和群眾心理問題。給對所有順從、追求、持續(xù)的東西拋出小小質(zhì)疑的思考。。。 Artistic Thinking: We exist as small dots of energy within the bubble that is society. Taking the form of many energies condense into a whole, we exist in all movements. As if swept by a river, we are carried by a swift current into unknowns and forced to endlessly explore uncertain realms and grow. In the ripples of change we leave traces called history and vanish. People don’t dwell far from the flow of history but have an innate ambition to explore, and from embracing such challenges comes new thoughts and values as well as change. As an insecure existence, humans naturally group together and find something new in assembly. In my works, I mainly talk about group and mass psychology. To throw a little doubt into all the things that are compliant, pursued…… 趙星太 / Cho,Sungtai 光 / Light 90x105x7cm 綜合材料 / mixed media 2019 趙星太 / Cho,Sungtai 做框架 / The frame 90x105x7cm 綜合材料 / mixed media 2019 趙星太 / Cho,Sungtai 光 / Light 50x25x15cm 綜合材料 / mixed media 2008 藝術(shù)家 / Artist 埃迪.布迪奧戈 Eddle BUDIONGO 剛果藝術(shù)家 1981年6月22日出生于剛果民主共和國 2007-2010金沙薩美術(shù)學院研究生（繪畫）剛果民主共和國金沙薩 2007年KALAMA聯(lián)合工作坊常駐藝術(shù)家 2014年MURAL ARTOF THEFUTUR項目聯(lián)合藝術(shù)總監(jiān)（金沙薩美術(shù)學院） 展覽和獎項 1996年BOBOTO文化中心永久展覽MEMLING酒店集體展覽 1997年扶輪社舉辦的“La Paix”比賽獎 1999年參加第三屆非洲漫畫博覽會 2000年聯(lián)合國舉辦的“和平”競賽獎 2006花園個人展`LA FLORE`` 2006美術(shù)學院美術(shù)館常設展覽 2007年金沙薩國際博覽會TIGO競賽獎`FIKIN`` 2008年剛果藝術(shù)與天才學生展覽第一版 由蒙努斯科在交響樂團美術(shù)館舉辦的永久展覽 2009年聯(lián)合國開發(fā)計劃署Dimension Plurielle組織的“JMS”集體展覽第1版，位于Kinshas的Wallonie Bruxelles中心 2010年剛果藝術(shù)天才學生展第二版 2011年布魯克塞勒斯沃洛尼中心“MOUV'AKIN”集體展覽 2012年金沙薩TKinshasaMB組織的KINSHASA，MOINDO PEMBE集體展覽 2013年集體展覽``金沙薩藝術(shù)展`` 2014年金沙薩“春季博覽會”集體展覽 集體展覽“因為我們是剛果人” 靈長類動物花園里的集體展覽“RDC，藝術(shù)家之地” 金沙薩集團“當代藝術(shù)”展覽群 展覽“HOLYDAY EXPO”，金沙薩集團展覽“ISSUE D’UNE”模因生態(tài)``， 2015年“新興”集團展 金沙薩大酒店的pullman集體展覽“空中藝術(shù)” 2016年洛杉磯集體展覽 法國APACA于2016年舉辦的Noisy Le Grand/Collective展會 ``LA MIGRATION DES coupleurs 2由APACA在法國沃雷阿爾舉辦 2018年在比利時利伯蒙特的專業(yè)實習 2021倫巴博覽會，集體展覽 2021國際非洲面頰日展覽/國家博物館 2022年Rumba d'Art集體展覽在布魯塞爾瓦隆尼中心舉行 2022年世博會在法剛貿(mào)易和工業(yè)中心舉行 Congolese artist Born June 22, 1981 in the Democratic Republic of Congo Graduate studies 2007-2010 Diploma from the Academy of Fine Arts in Kinshasa (option: painting),Kinshasa, DRC 2007 Permanent artist at KALAMA -Lesateliers re'unis 2014 Co-artistic director of the MURAL ARTOF THEFUTUR project (facade of the exterior wall of the Academy of Fine Arts in Kinshasa) organized by Méridian Exhibitions and Awards 1996 Permanent exhibition at the BOBOTO Cultural Center Collective exhibition at the MEMLING hotel 1997 Prize of the ``La Paix`` Competition organized by ROTARYCLUB 1999 Participation in the 3th African Comic Fair 2000 Prize of the ``Peace`` Competition organized by the UN 2006 Individual Exhibition in the garden ``LA FLORE`` 2006 Permanent exhibition at the gallery of the Academy of Fine Arts 2007 TIGO Competition Prize at the Kinshasa International Fair ``FIKIN`` 2008 Exhibition of Congolese Arts with Talented Students 1st edition organized by the MONUSCO Permanent exhibition at the Symphonie des Arts gallery 2009 Collective exhibition ``JMS`` organized by the UNDP Dimension Plurielle 1st edition at the Center Wallonie Bruxelles in Kinshas 2010 Exhibition of Congolese Arts with Talented Students 2nd edition Plural Dimension 2 editing 2011 Collective exhibition ``MOUV'AKIN`` at the Center Wallonie Bruxelles 2012 Collective exhibition KINSHASA, MOINDO PEMBE`` organized by TMB,Kinshasa 2013 Collective exhibition ``Kinshasa Art Exhibition`` 2014 Collective exhibition ``SPRING EXPO``, Kinshasa Collective exhibition ``PARCE QUE NOUS SOMMES CONGOLAIS`` Collective exhibition ``RDC, LAND OF ARTIST`` in the garden of the PrimatureExhibition group exhibition ``CONTEMPORARY ART``, Kinshasa Groupexhibition ``HOLYDAY EXPO``, Kinshasa Group exhibition ``ISSUE D’UNEMEME ECOLE``, K 2015 Group exhibition ``L’EMERGENCE`` at the pullman of the Grand Hotel of Kinshasa Collective exhibition ``ART IN THE AIR 2016 Collective exhibition ``LA MIGRATION DES COULEURS 1 Organized by APACA France in Noisy 2016 Le Grand/ Collective exhibition `` LA MIGRATION DES COULEURS 2 Organized by APACA in Vauréal/ France 2018 Professional internship in Libramont/ Belgium 2021 Rumba-Expo, collective exhibition 2021 Exhibition for the International Day of African Cheeks / National Museum 2022 Rumba d'Art Collective exhibition at the Center Walonie Brussels 2022 Expo belly at the Franco-Congolese trade and industry center 埃迪.布迪奧戈 / Eddle BUDIONGO 蒙娜麗莎 / The Mona Lisa 150x150cm 布面油畫 / oil on canvas 2021 埃迪.布迪奧戈 / Eddle BUDIONGO 拯救那些可以拯救的人 / Save who can 150x150cm 布面油畫 / oil on canvas 2019 藝術(shù)思考： 將人置于一切事物的中心，從而產(chǎn)生事件和現(xiàn)象。當人的精神投射并向自己展示時，人就會發(fā)展，這種發(fā)展旨在消除道德上的不穩(wěn)定，也就是說，精神障礙并不能為人實現(xiàn)人性提供手段。這種觀點使我們有可能反映出人們質(zhì)疑自己的真正責任感。他的作品是以傳記日常生活中的場景為基礎的。縱觀歷史，尤其是在我們這個時代，人類已經(jīng)用外表取代了美麗的國家，他們試圖用外表與自然競爭，他們試圖通過妄想或借助他的潛力與自然競爭，他可以塑造一個從小就被埋葬的領導人物，揭示世界并使其復興。他的風格是半具象半印象派。 Artistic Thinking: Place people at the center of everything, resulting in events and phenomena. When a person's spirit is projected and displayed to themselves, they will develop, which aims to eliminate moral instability. In other words, mental disorders do not provide a means for people to achieve human nature. This viewpoint makes it possible for us to reflect people questioning their true sense of responsibility. His works are based on biographical scenes from daily life. Throughout history, especially in our era, humans have replaced beautiful countries with appearances. They try to compete with nature with appearances, and they try to compete with nature through delusions or using their potential. They can shape a leader who has been buried since childhood, reveal the world, and revive it. His style is half concrete and half Impressionism. 埃迪.布迪奧戈 / Eddle BUDIONGO 隱藏的陰影 / The hidden shadow, 200 x 200cm 布面油畫 / oil on canvas 2022 埃迪.布迪奧戈 / Eddle BUDIONGO 隱藏的陰影 / The romance 150 x 150 cm 布面油畫 / oil on canvas 2021 埃迪.布迪奧戈 / Eddle BUDIONGO 未來負責人 / The future responsible 120 x 150 cm 布面油畫 / oil on canvas 2022 藝術(shù)家 / Artist 趙 凱 Zhao Kai 中國藝術(shù)家 1986 生于山東 2010 畢業(yè)于中央美術(shù)學院雕塑系，獲學士學位 現(xiàn)工作、生活于北京 主要展覽 2023年“再塑造——2023當代雕塑展”798國際藝術(shù)交流中心，北京 2022年“璀璨·藝術(shù)展”，北京 2022年“城市之光—上海當代雕塑與裝置藝術(shù)博覽”上海 2022年“新風尚中國當代雕塑邀請展”，廈門 2021年“廣州當代藝術(shù)博覽會”，廣州 2021年“新象”歐古軒藝術(shù)空間，深圳 2021年“ArtBeijing”全國農(nóng)業(yè)展覽館，北京 2021年“買得起藝術(shù)周”國貿(mào)，北京 2021年“反作用力·拒絕打卡” 33KN美術(shù)館，鄭州 2020年“在上方—當代雕塑邀請展”上方美術(shù)館，北京 2020年“上海城市藝術(shù)博覽會”上海 2020年“藝術(shù)上海國際博覽會”上海世博展覽館，上海 2019年“全球原創(chuàng)藝術(shù)中心開幕展” 國際藝展中心，深圳 2018年“竹林雅集當代藝術(shù)展”798 ZERO零藝術(shù)中心，北京 2018年“尋找你的童話秘境”當代藝術(shù)展，信雅達·三清上藝術(shù)中心，杭州 2018年“自·覺——為宅藝術(shù)沙龍展”，中國國際展覽中心，北京 2017年“異同雕塑作品展” 798，北京 2017年“重塑塵埃” 會空間，北京 2017年“無尋·無伺” 當代油畫雕塑展，信雅達·三清上藝術(shù)中心，杭州 2017年“筱喻荷楓·中國未來藝術(shù)2017學院派當代展” ，22院街藝術(shù)區(qū)，北京 2017年“Tourbillon” 798，北京 2017年“雕塑·空間” Mercedes me Sanlitun，北京 2017年“藝·無界——青年當代藝術(shù)推廣計劃” 四九畫廊，北京 2017年“墻勢力——墻報藝術(shù)家展” 今日美術(shù)館，北京 2016年“亞洲青年藝術(shù)家提名展” 鳥巢，北京 2016年“萬荷青年藝術(shù)家雕塑展” 萬荷美術(shù)館，北京 2013年?“中國中青年雕塑邀請展” 北京國際展洲美術(shù)館，北京 2010年“中外高校畢業(yè)生優(yōu)秀雕塑作品展” 北京國粹苑，北京 Chinese Artists Born in Shandong in 1986 Graduated from the Sculpture Department of the Central Academy of Fine Arts in 2010 with a Bachelor's degree Currently working and living in Beijing Main exhibitions 2023 "Reshaping -2023 Contemporary Sculpture Exhibition" 798 International Art Exchange Center, Beijing 2022 "Brilliant Art Exhibition", Beijing 2022 "City Light - Shanghai Contemporary Sculpture and Installation Art Expo" Shanghai 2022 "New Fashion Chinese Contemporary Sculpture Invitation Exhibition", Xiamen 2021 "Guangzhou Contemporary Art Expo", Guangzhou 2021 "New Elephant" Ouguxuan Art Space, Shenzhe 2021 "ArtBeijing" National Agricultural Exhibition Hall, Beijing 2021 "Affordable Art Week" International Trade Center, Beijing 2021 "Reaction Force · Refusal to Check In" 33KN Art Museum, Zhengzhou 2020 "Above - Contemporary Sculpture Invitational Exhibition" Above Art Museum, Beijing 2020 Shanghai Urban Art Expo Shanghai 2020 "Art Shanghai International Expo" Shanghai World Expo Exhibition Hall, Shanghai 2019 "Global Original Art Center Opening Exhibition" International Art Exhibition Center, Shenzhen 2018 "Zhulin Yaji Contemporary Art Exhibition" 798 ZERO Zero Art Center, Beijing 2018 "Searching for Your Fairy Tale Secret Realm" Contemporary Art Exhibition, Xinyada Sanqingshang Art Center, Hangzhou 2018 "Self Consciousness - House Art Salon Exhibition", China International Exhibition Center, Beijing 2017 "Similarities and Differences Sculpture Exhibition" 798, Beijing 2017 "Reshaping Dust" Conference Space, Beijing 2017 "Wuxun Wushi" Contemporary Oil Painting and Sculpture Exhibition, Xinyada Sanqingshang Art Center, Hangzhou 2017 "Xiaoyu Hefeng · China Future Art 2017 Academic Contemporary Exhibition", 22 Yuan Street Art District, Beijing 2017 "Tourbillon" 798, Beijing 2017 "Sculpture · Space" Mercedes me Sanlitun, Beijing 2017 "Art · Boundless - Youth Contemporary Art Promotion Program" 49 Gallery, Beijing 2017 "Wall Power - Wall Newspaper Artist Exhibition" Today Art Museum, Beijing 2016 "Asian Youth Artist Nomination Exhibition" Bird's Nest, Beijing 2016 "Wanhe Youth Artist Sculpture Exhibition" Wanhe Art Museum, Beijing 2013 "China Youth Sculpture Invitation Exhibition" Beijing International Exhibition Zhou Art Museum, Beijing 2010 "Excellent Sculpture Works Exhibition for Graduates from Chinese and Foreign Universities" Beijing Guocuiyuan, Beijing 趙 凱 / Zhao Kai 自在·遇 / Freedom · Encounter 95x38x125cm 鑄銅彩繪 / Cast copper colored painting 版數(shù)：8 / Version: 8 2022 趙 凱 / Zhao Kai 自在·浮蜓－1 / Freedom · Floating Fly -1 30x70x128cm 鑄銅彩繪 / Cast copper colored painting 版數(shù)：8 / Version: 8 2015 藝術(shù)思考： 《自在》系列作品是講人的自然本性和動物靈性的依存關系，在這個浮躁的時代，尋求內(nèi)心的寧靜，塑造一個寂靜、安詳、悠遠的境界，挖掘生命之間在精神層面上的溝通和交流，人性與物性的通靈。 談到“自在”，會感到一種沒有猙獰、沒有煩惱、沒有時間限制的生活，這無非是一種態(tài)度，一種難得的心境。 Artistic Thinking: The "Freedom" series of works is about the interdependence between human nature and animal spirituality. In this restless era, we seek inner peace, shape a peaceful, distant realm, and explore the spiritual communication and exchange between life, as well as the spiritual connection between human nature and material nature. When it comes to 'freedom', one feels a life without ferocity, worry, or time constraints. This is nothing more than an attitude and a rare state of mind. 趙 凱 / Zhao Kai 自在·游鱘 / Free, Swimming Sturgeon 109x28x103cm 鑄銅彩繪 / Cast copper colored painting 版數(shù)：8 / Version: 8 2015 趙 凱 / Zhao Kai 自在·棲鳥－1 / Freedom · Living Bird -1 75x35x61cm 鑄銅彩繪 / Cast copper colored painting 版數(shù)：8 / Version: 8 2015-2016 趙 凱 / Zhao Kai 自在·浮蜓－2 / Freedom · Floating Fly -2 179x37x46cm 鑄銅彩繪 / Cast copper colored painting 版數(shù)：8 / Version: 8 2015 藝術(shù)家 / Artist 盧洙賢 Roh Suhyun 韓國藝術(shù)家 1996年出生于韓國京畿道。 2021年至目前，中國美術(shù)學院跨媒體藝術(shù)學院碩士研究生。 2019年，畢業(yè)于英國利茲藝術(shù)大學。 參加展覽： 2023 《外來者實驗》，杭州ABI SPACE 2023 韓中交流30周年紀念展覽《自我缺失的17本書:ABRAXAS LIBRARY》，重慶華人當代美術(shù)館 2021 《Finding Home》雙人展，記憶之家1920，韓國順天 Korean Artist 2021 to present, China Academy of Art, Hangzhou 2016 to 2019, Leeds Arts University, Leeds Exhibitions: 2023 Outsider experiment, ABI SPACE, Hangzhou 2023 Abraxas Library, Chinese Contemporary Art Museum, Chongqing 2022 MULLAE One&Only Art Fair, Artfield Gallery, Seoul 2022 A Body: Figure and Flesh, Floor_, Seoul 2021 Finding Home, Memorial House 1920, Suncheon 2019 Leeds Arts University End of Year Show, Leeds 2019 Excessive Human Collective x AgeOfThe Fundamental Event, Leeds 2019 The Ingenious Ones - Part III, Leeds 盧洙賢 / Roh Suhyun 1 to 10 60x86cm 攝影作品 / Photography works 2021 藝術(shù)思考 就像作家們用日記為媒介來記錄一樣，以鏡頭為媒介進行記錄。并通過這些記錄來探索人際關系中共有的感情以及和社會環(huán)境的相關關系。近期的目標是探索疾病等的災難給人類生活帶來的各種影響。 As writers keep their journals, I document with my lens-based media. Through art, I aim to explore universal emotions, and collective memories and investigate the social environment under the collision and amalgamation of multiple cultures via photography and multimedia art. My recent goal is to explore unexpected crisis that affects our mundane life. 盧洙賢 / Roh Suhyun 1 to 10 52x78cm 攝影作品 / Photography works 2021 盧洙賢 / Roh Suhyun 1 to 10 30x20cm 攝影作品 / Photography works 2021 盧洙賢 / Roh Suhyun 1 to 10 36x54cm 攝影作品 / Photography works 2021 聯(lián)系我們 /contact us E-mail : youjiang09@qq.com |
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來自： 北上北藝術(shù) > 《待分類》
