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Brain magic

 kevingiao 2018-02-18

Brain magic. What's brain magic all about? Brain magic to me indicates that area of magic dealing with psychological and mind-reading effects. So unlike traditional magic, it uses the power of words, linguistic deception, non-verbal communication and various other techniques to create the illusion of a sixth sense.

I'm going to show you all how easy it is to manipulate the human mind once you know how. I want everybody downstairs also to join in with me and everybody. I want everybody to put out your hands like this for me, first of all. OK, clap them together, once. OK, reverse your hands. Now, follow my actions exactly. Now about half the audience has their left hand up. Why is that? OK, swap them around, put your right hand up. Cross your hands over, so your right hand goes over, interlace your fingers like this, then make sure your right thumb is outside your left thumb -- that's very important. Yours is the other way around, so swap it around. Excellent, OK. Extend your fingers like this for me. All right. Tap them together once. OK, now, if you did not allow me to deceive your minds, you would all be able to do this.

(Laughter)

(Laughter ends)

Now you can see how easy it is for me to manipulate the human mind, once you know how.

(Laughter)

Now, I remember when I was about 15,

(Laughter)

I read a copy of Life magazine, which detailed a story about a 75-year-old blind Russian woman who could sense printed letters -- there's still people trying to do it --

(Laughter)

-- who could sense printed letters and even sense colors, just by touch. And she was completely blind. She could also read the serial numbers on bills when they were placed, face down, on a hard surface. Now, I was fascinated, but at the same time, skeptical. How could somebody read using their fingertips? You know, if you actually think about it, if somebody is totally blind -- a guy yesterday did a demonstration in one of the rooms, where people had to close their eyes and they could just hear things. And it's just a really weird thing to try and figure out. How could somebody read using their fingertips?

Now earlier on, as part of a TV show that I have coming up on MTV, I attempted to give a similar demonstration of what is now known as second sight. So, let's take a look.

(Video) Man: There we go. I'm going to guide you into the car.

Kathryn Thomas: (Laughter)

Man: You're OK, keep on going.

KT: How are you?

Keith Barry: Kathryn, it's Keith here. I'm going to take you to a secret location, OK? Kathryn, there was no way you could see through that blindfold.

KT: OK, but don't say my name like that. KB: But you're OK?

KT: Yes.

KB: No way to see through it? KT: No.

KB: I'll take it off. Do you want to take the rest off? Take it off, you're OK. We'll stop for a second.

KT: I'm so afraid of what I'm going to see.

KB: You're fine, take it off. You're OK. You're safe. Have you ever heard of second sight?

KT: No.

KB: Second sight is whereby a mind-control expert can see through somebody else's eyes. And I'm going to try that right now.

KT: God.

KB: Are you ready? Where is it? There's no way --

KT: (Beep)

KT: Oh, my God!

KB: Don't say anything, I'm trying to see through your eyes. I can't see.

KT: There's a wall, there's a wall.

KB: Look at the road, look at the road.

KT: OK, OK, OK. Oh, my God!

KB: Now, anything coming at all? KT: No.

KB: Sure there's not?

KT: No, no, I'm just still looking at the road. I'm looking at the road, all the time. I'm not taking my eyes off the road.

(Beep)

(Beep)

(Beep)

KT: Oh, my God!

KB: Where are we? Where are we? We're going uphill, are we going uphill?

KT: Look at the road -- (Beep) Still got that goddamn blindfold on.

KB: What?

KT: How are you doing this?

KB: Just don't break my concentration.

We're OK, though? KT: Yes. That's so weird. We're nearly there. Oh, my God!

Oh, my God!

KB: And I've stopped.

KT: That is weird. You're like a freak-ass of nature. That was the most scary thing I've ever done in my life!

(Applause)

KB: Thank you. By the way, two days ago, we were going to film this down there, at the race course, and we got a guy into a car, and we got a camera man in the back, but halfway through the drive, he told me he had, I think it was a nine-millimeter, stuck to his leg. So, I stopped pretty quick, and that was it.

So, do you believe it's possible to see through somebody else's eyes? That's the question. Now, most people here would automatically say no. OK, but I want you to realize some facts. I couldn't see through the blindfold. The car was not gimmicked or tricked in any way. The girl, I'd never met before, all right. So, I want you to just think about it for a moment. A lot of people try to come up with a logical solution to what just happened, all right. But because your brains are not trained in the art of deception, the solutions you come up with will, 99 percent of the time, be way off the mark.

This is because magic is all about directing attention. If, for instance, I didn't want you to look at my right hand, then I don't look at it. But if I wanted you to look at my right hand, then I look at it, too. You see, it's very simple, once you know how, but very complicated in other ways.

I'm going to give you some demonstrations right now. I need two people to help me out real quick. Can you come up? And let's see, down at the end, here, can you also come up, real quick? Do you mind? Yes, at the end. OK, give them a round of applause as they come up. You might want to use the stairs, there.

(Applause)

It's very important for everybody here to realize I haven't set anything up with you. You don't know what will happen, right? Would you mind just standing over here for a moment?

Your name is? Nicole: Nicole.

KB: Nicole, and?

(Telephone ringing)

KB: Actually, here's the thing, answer it, answer it, answer it.

(Laughter)

Is it a girl? Man: They've already gone.

KB: OK, swap over positions. Can you stand over here? This will make it easier. Pity, I would have told them it was the ace of spades. OK, a little bit closer.

(Laughter)

OK, a little bit closer, come over -- they look really nervous up here. Do you believe in witchcraft?

Nicole: No.

KB: Voodoo? Nicole: No.

KB: Things that go bump in the night? Nicole: No.

KB: Besides, who's next, no, OK. I want you to just stand exactly like this for me, pull up your sleeves, if you don't mind. OK, now, I want you to be aware of all the different sensations around you, because we'll try a voodoo experiment. I want you to be aware of the sensations, but don't say anything until I ask you, and don't open your eyes until I ask you. From this point onwards, close your eyes, do not say anything, do not open them, be aware of the sensations.

Yes or no, did you feel anything?

Nicole: Yes.

KB: You did feel that? What did you feel?

Nicole: A touch on my back.

KB: How many times did you feel it?

Nicole: Twice.

KB: Twice. OK, extend your left arm out in front of you. Extend your left arm, OK. OK, keep it there. Be aware of the sensations, don't say anything, don't open your eyes, OK.

Did you feel anything, there?

Nicole: Yes. KB: What did you feel?

Nicole: Three --

KB: Like a tickling sensation? Nicole: Yes.

KB: Can you show us where? OK, excellent. Open your eyes. I never touched you. I just touched his back, and I just touched his arm. A voodoo experiment.

(Laughter)

Yeah, I walk around nightclubs all night like this.

(Laughter)

You just take a seat over here for a second. I'm going to use you again, in a moment. Can you take a seat right over here, if you don't mind.

Sit right here. Man: OK.

KB: OK, take a seat. Excellent, OK. Now, what I want you to do is look directly at me, OK, just take a deep breath in through your nose, letting it out through your mouth, and relax. Allow your eyes to close, on five, four, three, two, one. Close your eyes right now. OK, now, I'm not hypnotizing you, I'm merely placing you in a heightened state of synchronicity, so our minds are along the same lines. And as you sink and drift and float into this relaxed state of mind, I'm going to take your left hand, and just place it up here.

I want you to hold it there just for a moment, and I only want you to allow your hand to sink and drift and float back to the tabletop at the same rate and speed as you drift and float into this relaxed state of awareness, and allow it to go all the way down to the tabletop. That's it, all the way down, all the way down. and further, and further. Excellent. I want you to allow your hand to stick firmly to the tabletop. OK, now, allow it to stay there.

OK, now, in a moment, you'll feel a certain pressure, OK, and I want you to be aware of the pressure. Just be aware of the pressure. And I only want you to allow your hand to float slowly back up from the tabletop as you feel the pressure release, but only when you feel the pressure release. Do you understand? Just answer yes or no.

Man: Yes.

KB: Hold it right there. And only when you feel the pressure go back, allow your hand to drift back to the tabletop, but only when you feel the pressure.

(Laughter)

OK, that was wonderfully done. Let's try it again.

Excellent. Now that you've got the idea, let's try something even more interesting. Allow it to stick firmly to the tabletop, keep your eyes closed. Can you stand up? Just stand, stage forward. I want you to point directly at his forehead. OK. Imagine a connection between you and him. Only when you want the pressure to be released, make an upward gesture, like this, but only when you want it to be released. You can wait as long as you want, but only when you want the pressure released. OK, let's try it again. OK, now, imagine the connection, OK. Point directly at his forehead. Only when you want the pressure released, we'll try it again.

OK, it worked that time, excellent. And hold it there, both of you. Only when you want the pressure to go back, make a downward gesture. You can wait as long as you want. You did it pretty quickly, but it went down, OK.

Now, I want you to be aware that in a moment, when I snap my fingers, your eyes will open, again. It's OK to remember to forget, or forget to remember what happened. Most people ask you, "What the hell just happened up here?" But it's OK that even though you're not hypnotized, you will forget everything that happened. On five, four, three, two, one -- open your eyes, wide awake. Give them a round of applause, as they go back to their seats.

(Applause)

OK, you can go back.

(Applause)

I once saw a film called "The Gods Are Crazy." Has anybody here seen that film? Yeah. Remember when they threw the Coke out of the airplane, and it landed on the ground, and it didn't break? Now, see, that's because Coke bottles are solid. It's nearly impossible to break a Coke bottle. Do you want to try it? Good job. She's not taking any chances.

(Laughter)

You see, psychokinesis is the paranormal influence of the mind on physical events and processes. For some magicians or mentalists, sometimes the spoon will bend or melt, sometimes it will not. Sometimes the object will slide across the table, sometimes it will not. It depends on how much energy you have that day, so on and so forth.

We're going to try an experiment in psychokinesis, right now. Come right over here, next to me. Excellent. Now, have a look at the Coke bottle. Make sure it is solid, there's only one hole, and it's a normal Coke bottle. And you can whack it against the table, if you want; be careful. Even though it's solid, I'm standing away. I want you to pinch right here with two fingers and your thumb. Excellent. Now, I've got a shard of glass here, OK. I want you to examine the shard of glass. Careful, it's sharp. Just hold on to it for a moment. Now, hold it out here.

I want you to imagine, right now, a broken relationship from many years ago. I want you to imagine all the negative energy from that broken relationship, from that guy, being imparted into the broken piece of glass, which will represent him, OK. But I want you to take this very seriously. Stare at the glass, ignore everybody right here. In a moment, you'll feel a certain sensation, OK, and when you feel that sensation, I want you to drop the piece of glass into the bottle. Think of that guy, that ba -- that guy.

(Laughter)

I'm trying to be good here. OK, and when you feel the sensation -- it might take a while -- drop it into the glass. OK, drop it in.

Now, imagine all that negative energy in there. Imagine his name and imagine him inside the glass. And I want you to release that negative energy by shaking it from side to side.

(Burst)

(Laughter)

That was a lot of negative energy, built up in there.

(Laughter)

(Applause)

I also want you to look at me and think of his name. OK, think of how many letters in the title of his name. There's five letters in the title. You didn't react to that, so it's four letters. Think of one of the letters in the title. There's a K in his name, there is a K. I knew that because my name starts with a K also, but his name doesn't start with a K, it starts with an M. Tell Mike I said hello, the next time you see him.

Was that his name? Nicole: Mm-hmm.

KB: OK, give her a round of applause.

(Applause)

Thank you.

(Applause)

(Applause ends)

I've got one more thing to share with you right now. Actually, Chris, I was going to pick you for this, but instead of picking you, can you hop up here and pick a victim for this next experiment? And it should be a male victim, that's the only thing.

Chris Anderson: Oh, OK.

KB: I was going to use you, but I decided I might want to come back another year.

(Laughter)

CA: Well, to reward him for saying "eureka," and for selecting Michael Mercil to come and talk to us -- Steve Jurvetson.

KB: OK, Steve, come on up here.

(Applause)

CA: You knew!

KB: OK, Steve, I want you to take a seat, right behind here. Excellent. Now, Steve -- oh, you can check underneath. Go ahead, I've no fancy assistants underneath there. They insist that because I was a magician, put a nice, black tablecloth on. There you are, OK.

(Laughter)

I've got four wooden plinths here, Steve. One, two, three and four. Now, they're all the exact same except this one obviously has a stainless steel spike sticking out of it. I want you to examine it, and make sure it's solid. Happy?

Steve Jurvetson: Mmm, yes.

KB: OK. Now, Steve, I'm going to stand in front of the table, When I stand in front of the table, I want you to put the cups on the plinths, in any order you want, and then mix them all up, so nobody has any idea where the spike is, all right?

SJ: No one in the audience?

KB: Yes, and just to help you out, I'll block them from view, so nobody can see what you're doing. I'll also look away. So, go ahead and mix them up, now. OK, and tell me when you're done.

(Laughter)

(Laughter)

KB: You done? SJ: Almost.

KB: Almost, oh. OK, you're making sure that's well hidden. Oh, we've got one here, we've got one here.

(Applause)

So, all right, we'll leave them like that.

(Laughter)

I'm going to have the last laugh, though.

(Laughter)

Now, Steve, you know where the spike is, but nobody else, does? Correct? But I don't want you to know either, so swivel around on your chair. They'll keep an eye on me to make sure I don't do anything funny. No, stay around, OK. Now, Steve, look back. Now you don't know where the spike is, and I don't know where it is either. Now, is there any way to see through this blindfold?

SJ: Put this on?

KB: No, just, is there any way to see through it? No?

SJ: No, I can't see through it. KB: Excellent. Now, I'm going to put on the blindfold. Don't stack them up, OK. Give them an extra mix up. Don't move the cups, I don't want anybody to see where the spike is, but give the plinths an extra mix up, and then line them up. I'll put the blindfold on. Give them an extra mix up. No messing around this time. OK, go ahead, mix them up. My hand is at risk here.

(Laughter)

Tell me when you're done. SJ: Done.

KB: OK, where are you? Put out your hand. Your right hand. Tell me when I'm over a cup.

SJ: You're over a cup. KB: I'm over a cup, right now?

SJ: Mm-hmm.

KB: Now, Steve, do you think it's here? Yes or no?

SJ: Oh!

(Laughter)

KB: I told you I'd have the last laugh.

(Laughter)

SJ: I don't think it's there. KB: No? Good decision.

(Laughter)

(Applause)

(Applause ends)

Now, if I go this way, is there another cup over here?

SJ: Can we do the left hand?

KB: Oh, no, no, no. He asked me could he do the left hand. Absolutely not.

(Laughter)

KB: If I go this way, is there another cup?

SJ: Yes. KB: Tell me when to stop.

SJ: OK. KB: There?

SJ: Yes, there's one.

KB: OK. Do you think it's here, yes or no? This is your decision, not mine.

(Laughter)

SJ: I'm going to say no. KB: Good decision.

(Laughter)

OK, give me both hands. Now, put them on both cups. Do you think the spike is under your left or your right hand?

SJ: Neither.

KB: Neither, oh, OK. But if you were to guess.

(Laughter)

SJ: Under my right hand. KB: Under your right hand? Now, remember, you made all the decisions all along. Psychologists, figure this out.

(SJ gasps)

Have a look.

SJ: Oh!

(Applause)

KB: Thank you.

(Applause ends) If anybody wants to see some sleight of hand later on, I'll be outside. Thank you.

(Applause)

Thank you.

Thank you.

(Applause)



Translated by Chunlei Chang
Reviewed by Xiaoyu Zhang

大腦魔術(shù). 什么是大腦魔術(shù)? 對(duì)我來(lái)說(shuō),大腦魔術(shù)是 關(guān)于心理學(xué)和讀心術(shù)的一個(gè)魔術(shù)領(lǐng)域. 不同于傳統(tǒng)魔術(shù),它是用語(yǔ)言的力量, 語(yǔ)言欺騙, 非語(yǔ)言交流 和多種技術(shù)來(lái)創(chuàng)造出一種第六感的錯(cuò)覺(jué).

現(xiàn)在,我來(lái)告訴你們,一旦知道方法后 控制人類(lèi)的心靈有多簡(jiǎn)單. 臺(tái)下所有的觀眾都加入我,跟我來(lái). 首先,我希望所有人都把你們的手抬起來(lái). 好,一起拍一下. 把手反過(guò)來(lái). 完全的跟著我來(lái)做動(dòng)作. 大概一半的觀眾舉起的是左手.為什么呢? 很好,交叉雙手,右手這樣抬過(guò)來(lái). 好,現(xiàn)在,交叉你的雙手,這樣你的右手的手指 就可以像這樣交叉, 這時(shí),要確保你的右手拇指放在左手拇指外面. 這非常重要. 你的放錯(cuò)邊了, 換回來(lái). 太棒了, 好. 像我一樣去伸展你們的手指. 很好. 輕輕碰一次. 好了, 現(xiàn)在, 如果你不允許我欺騙你的頭腦, 你就能這樣做. (笑聲) 那么,現(xiàn)在你可以看來(lái)對(duì)我來(lái)說(shuō) 一旦你了解, 控制人們的想法是多么簡(jiǎn)單. (笑聲)

現(xiàn)在,我記的大概15歲的時(shí)候 我讀過(guò)一本生活雜志, 里面有個(gè)故事是一個(gè)75歲的又老又瞎的俄國(guó)老太太, 可以感覺(jué)的到印刷字體 -- 現(xiàn)在仍有人還在試這個(gè)-- (笑聲) -- 這個(gè)老太太可以通過(guò)觸摸來(lái)感覺(jué)出印刷字體,甚至顏色. 但她已經(jīng)完全瞎了. 她還可以在背對(duì)著的 很硬的表面上用手指讀出帳單上的序列號(hào) 我當(dāng)時(shí)著了迷了,但同時(shí)也懷疑. 怎么可能會(huì)有人能用指尖閱讀呢? 你看,如果你認(rèn)真去思考, 如果這個(gè)人已經(jīng)完全瞎了 - 某人昨天做了一個(gè)演示, 在一個(gè)大家都閉上眼的房間里,他們只能聽(tīng)到聲音. 去嘗試和理解這種十分詭異的東西. 怎么可能會(huì)有人能用指尖閱讀呢? 早些時(shí)候, 我作為一段MTV要在電視節(jié)目前播放, 我嘗試了一個(gè)相似的 關(guān)于現(xiàn)在所謂第二視覺(jué)的展示. 那么我們一起看一下吧.

(視頻) 男: 我們開(kāi)始吧. 我會(huì)幫你坐到車(chē)?yán)?

Kathryn: (笑聲)

男: 你做的很好,繼續(xù).

Kathryn: 你好嗎?

Keith Barry: Kathryn, 我是Keith, 我現(xiàn)在要帶你去一個(gè)秘密的地方,好嗎?

KB: 現(xiàn)在, kathryn, 你從遮眼布中完全看不到任何東西,對(duì)吧.

Kathryn: 是的, 但別那么叫我的名字.

KB: 好的, 不過(guò)你確定, 對(duì)嗎?

Kathryn: 對(duì).

KB:你不能從任何角度看到外界,對(duì)么?

看不到.

KB: 好, 我正要把它取下來(lái),你沒(méi)事的,沒(méi)事的. 你想把其它部分也取下來(lái)嗎? 接著取下來(lái), 你沒(méi)事的. 我們先停一秒鐘.

Kathryn: 我真擔(dān)心我將看到的東西.

KB: 不用,不用, 你很好,你很好, 取下來(lái), 沒(méi)事的,你很安全. 你有沒(méi)有聽(tīng)說(shuō)過(guò)第二視覺(jué)?

Kathryn: 沒(méi)有

KB: 第二視覺(jué)是精神控制專(zhuān)家借助于 別人的眼睛來(lái)看透東西. 并且我現(xiàn)在打算試試.

Kathryn: 上帝啊.

KB: 你準(zhǔn)備好了嗎? 路在哪呢? 沒(méi)辦法...

Kathryn: (嘟) 噢,我的天吶!

KB: 噓. 不要說(shuō)話. 我正在試著通過(guò)你的眼睛看路呢. 我看不到.

Kathryn: 那有一個(gè)墻,有個(gè)墻.

KB: 看著路,看著路面.

Kathryn: 好, 好, 好, 好, 啊, 我的天吶!

KB: 現(xiàn)在, 前面有什么東西嗎?

Kathryn: 沒(méi), 沒(méi), 沒(méi), 沒(méi)有.

KB: 真的? 沒(méi)有?

Kathryn: 沒(méi), 沒(méi)有, 我就只盯著路面. 我正看著路面,一直. 我不要把眼睛離開(kāi)路面. (嘟) (嘟) (嘟) 啊, 我的天吶!

KB: 我們?cè)谀?我們?cè)谀? 我們?cè)谏掀?我們?cè)谏掀聠?

Kathryn: 看著路 -- (嘟) 你還帶著那該死的遮眼布呢?

KB: 什么?

Kathryn: 你怎么做到的?

KB: 別再分散我的注意力了. KB: 我們還好,對(duì)吧.

Kathryn: 對(duì). 這太詭異了. 我們快到了. 啊, 我的天吶! 啊, 我的天吶!

KB: 我停下了.

Kathryn: 這太詭異了. 你像個(gè)天生的怪物. 這是我這輩子做過(guò)最恐怖的事情.

(掌聲)

謝謝. 另外, 兩天以前. 我們才錄的這個(gè)片斷 在比賽場(chǎng)地, 有一個(gè)小伙子做的我們的車(chē)?yán)? 后坐還有一個(gè)攝像師, 但半路上開(kāi)著車(chē)的時(shí)候, 他告訴我他有一個(gè) -- 我想是有個(gè)什么東西,卡住了他的腿. 所以我特別快的停了下來(lái).

所以,你覺(jué)得有可能 去通過(guò)別人的眼睛去看東西嗎? 就是這個(gè)問(wèn)題. 現(xiàn)在,這里大部分人會(huì)下意識(shí)的說(shuō)不. 好, 但我想要你明白一些事實(shí). 我從遮眼布里什么也看不到. 那輛車(chē)也沒(méi)有以任何方式?；ㄕ泻蛻蚍? 那個(gè)女孩 -- 我之前從未見(jiàn)過(guò), 好吧. 我希望你用思考一小會(huì)兒. 很多人想走到臺(tái)上 邏輯的去解釋剛剛發(fā)生過(guò)什么, 好吧. 但因?yàn)槟愕拇竽X并沒(méi)受過(guò)欺騙的藝術(shù)的訓(xùn)練, 你上來(lái)的解釋 會(huì)是99%的不靠譜.

這是因?yàn)槟g(shù)是引導(dǎo)你的注意力的. 舉個(gè)例子,我不想要你看我的右手, 好, 這時(shí), 我不看它. 但我如果想讓你關(guān)注我的右手, 這時(shí),我也看它, 你明白嗎. 一旦你知道怎么做,這非常, 非常簡(jiǎn)單, 但從其它方面想會(huì)巨復(fù)雜.

現(xiàn)在, 我就給大家現(xiàn)在展示一個(gè),就現(xiàn)在. 我需要兩名觀眾上來(lái)幫我. 你能上來(lái)嗎? 然后我們看, 下面最后的那個(gè). 你能也迅速上來(lái)嗎? 你介意嗎? 對(duì),后排這位. 好的,掌聲鼓勵(lì)他們上臺(tái). 你可能需要用這邊的樓梯, 這邊. (掌聲) 現(xiàn)在,有一個(gè)非常重要的事情,大家必須知道 我從來(lái)沒(méi)有安排過(guò)你們?nèi)魏螙|西. 你也不知道即將發(fā)生什么事. 同意嗎? 好. 你介意站在這邊一會(huì)兒么? 你叫?

Nicole: Nicole.

KB: Nicole, 那你是? (電話鈴響)

KB: 好, 哦, 告訴他們, 這樣. 接, 接, 接. (笑聲)

KB: 是女孩么?

男: 已經(jīng)掛了.

KB: 哦, 掛了. 好吧. 我跟你說(shuō), 交換一下位置. 能站在這嗎, 這會(huì)更簡(jiǎn)單一些. 好, 太遺憾了, 我已經(jīng)把我的王牌告訴你們了. 好的, 再近一些. (笑聲) 再近點(diǎn). (笑聲) 很好, 再近點(diǎn), 過(guò)來(lái)點(diǎn) -- 他們看起來(lái)很緊張. 再靠近點(diǎn).

好吧, 現(xiàn)在, 你相信邪惡巫術(shù)嗎?

Nicole: 不信.

KB: 西方巫術(shù)?

Nicole: 不信.

KB: 晚上突然發(fā)生的事情?

Nicole: 不信.

KB: 除此之外, 有別的嗎? 沒(méi)有, 好. 我要你像現(xiàn)在這樣站著, 如果你不介意, 把袖子卷起來(lái). 好, 現(xiàn)在, 我要你去感受 你周?chē)械牟煌母杏X(jué), 因?yàn)槲覀冋趪L試一個(gè)巫術(shù)的試驗(yàn). 我要你意識(shí)到這些感覺(jué), 但除了我去問(wèn)你,不要講任何話, 除非我讓你睜眼,不要睜開(kāi)眼. 朝這站, 閉上眼, 不要說(shuō)話,不要睜眼. 去感受周?chē)母杏X(jué).

有沒(méi)有, 你感覺(jué)到什么嗎?

Nicole: 有.

KB: 你感覺(jué)到了? 你感覺(jué)到什么了?

Nicole: 在我的背上碰觸了一次

KB: 你感覺(jué)到多少次?

Nicole: 兩次.

KB: 兩次. 好的, 把你的左臂伸到前面. 伸出你的左胳膊, 好的. 好, 保持在那. 注意周轉(zhuǎn)的感覺(jué), 不要說(shuō)話,不要睜眼,好嗎? 你感覺(jué)到什么了嗎?

Nicole: 有.

KB: 你感覺(jué)到了什么?

Nicole: 三個(gè)--

KB: 像是三次撓癢癢?

Nicole: 是的.

KB: 你能告訴我們是在哪個(gè)部位嗎? 好, 太棒了. 睜開(kāi)你的眼睛. 我從來(lái)沒(méi)有接觸過(guò)你. 我只是摸了他的背,并且只是接觸他的肩膀. 一個(gè)巫術(shù)的試驗(yàn). (笑聲) 對(duì), 我在夜總會(huì)里像這樣逛一晚上, (笑聲) 你在這邊坐一會(huì), 我會(huì)再請(qǐng)你幫忙, 一會(huì)兒. 不介意的話, 你能跟我坐在這里嗎? 就做在這兒.

男: 好.

KB: 好的,坐下, 很好. 現(xiàn)在, 我要你直視我, 好吧. 通過(guò)你的鼻子深呼吸, 從嘴巴吐氣, 放松. 眼睛可以閉上, 計(jì)數(shù), 5, 4, 3, 2, 1 -- 現(xiàn)在閉上你的眼睛. 好, 現(xiàn)在, 我不是在催眠你, 我僅僅是讓你進(jìn)入一種高度同步狀態(tài), 所以我們的心靈有相同的連接. 想像你就像是下沉,漂移和上浮一樣 進(jìn)入一種放松的狀態(tài), 我要把你的左手, 放在這里.

并且我要你保持在那, 就一會(huì)兒. 并且要你允許自己的手 去下沉,漂移和上浮一樣放回桌面 用相同的速度 就像是下沉和上浮一樣進(jìn)入放松的意識(shí)狀態(tài). 允許它慢慢的回到桌面. 就是那樣, 一直落下來(lái), 一直落下來(lái), 一直落下來(lái), 再落,再落,再落, 再落,再落,再落, 太棒了. 我要你讓你的手穩(wěn)固的粘在桌面上. 好, 現(xiàn)在, 擱在那兒. 好, 一會(huì)兒,你會(huì)感覺(jué)到一定的壓力,好吧, 我要你感覺(jué)到這種壓力, 只要意識(shí)到壓力的存在. 我只要你控制你的手 感覺(jué)到壓力釋放的時(shí)候從桌面上慢慢的住下落. 但僅僅是當(dāng)你感覺(jué)到壓力釋放的時(shí)候. 明白嗎? 回答的明白或沒(méi)明白. 你明白了嗎?

男: 明白.

KB: 停在那兒. 好的, 只有你感覺(jué)壓力回去的時(shí)候, 我要你控制你的手慢速的下落到桌面. 但僅當(dāng)你能感受到壓力的時(shí)候. (笑聲) 好的,非常完美的完成, 讓我們?cè)僭囈淮?

太好了. 現(xiàn)在你已經(jīng)掌握了. 讓我們?cè)囆└幸馑嫉? 把手放在桌面上,保持眼睛閉上. 你能站起來(lái)嗎? 好的, 就站起來(lái), 舞臺(tái)前面. 我要你直指著他的前額,好吧. 想像你們之前有一種連接. 只在你想讓壓力釋放的時(shí)候, 做一個(gè)向上抬的動(dòng)作,像這樣, 但只是你想釋放這個(gè)壓力的時(shí)候. 你想等多久都可以, 但記住只有你想釋放這個(gè)壓力的時(shí)候. 好吧,我們?cè)僭囈淮? 好, 想像一下你們之間的聯(lián)系. 直接指著他的前額, 記住只有你想釋放壓力的時(shí)候, 我們?cè)僭囈淮? 好, 這次搞定了, 太棒了. 停在那, 停在那, 你們兩個(gè), 都停一下. 只有當(dāng)你感覺(jué)到壓力回來(lái)的時(shí)候,再做放下的動(dòng)作. 你想等多久都可以. 你做的有點(diǎn)快,但他還是放下去了, 很好.

現(xiàn)在, 我要你注意 當(dāng)你聽(tīng)到我捏響指時(shí),再睜開(kāi)眼. 無(wú)論是忘記或記得剛剛發(fā)生的事情都可以. 很多會(huì)問(wèn)你剛剛在這里發(fā)生了什么? 但沒(méi)問(wèn)題,你甚至沒(méi)有被催眠, 你會(huì)忘記發(fā)生的所有的一切. (笑聲) 倒數(shù),5, 4, 3, 2, 1, 睜眼, 清醒過(guò)來(lái)吧. 給他們以熱烈的掌聲, 請(qǐng)回到座位上. (掌聲) 好了, 你可以回來(lái).

我曾經(jīng)看過(guò)一個(gè)電影叫 "The Gods Are Crazy." 有人看過(guò)那個(gè)電影嗎? 對(duì)對(duì)對(duì). (掌聲) 你還記得當(dāng)他們把可樂(lè)瓶子扔出飛機(jī)的時(shí)候, 它摔到地上卻沒(méi)有碎? 看, 那是因?yàn)榭蓸?lè)瓶非常堅(jiān)固. 基本上不可能打碎一個(gè)可樂(lè)瓶. 要不你試試? 干的漂亮. (笑聲) 她不要任何機(jī)會(huì).

你知道, 意志力是心靈對(duì)物理事物和事情的 超自然影響. 對(duì)于一些魔術(shù)師或心理學(xué)家來(lái)說(shuō) 有時(shí)調(diào)羹會(huì)彎曲或熔化,有時(shí)不會(huì). 有時(shí)候物體會(huì)飛出桌子,有時(shí)不會(huì). 這得看你有多少能量, 如此之類(lèi)的. 我們現(xiàn)在要做一些意志力的實(shí)驗(yàn). 到這來(lái), 站在我旁邊. 太好了.

現(xiàn)在看這個(gè)可樂(lè)瓶. 確保它是結(jié)實(shí)的, 只有一個(gè)瓶口, 是個(gè)很普通的可樂(lè)瓶子. 如果你想,你可以朝著桌子猛敲. 要小心. 就算它特結(jié)實(shí), 我還是站遠(yuǎn)點(diǎn). 好吧, 我要你用兩個(gè)手指和拇指捏著這兒. 很好. 現(xiàn)在我這兒有一塊玻璃碎片. 你檢查一下這塊碎玻璃. 小心,因?yàn)樗h利了. 只要拿著它一小會(huì)兒. 現(xiàn)在, 舉在這兒.

現(xiàn)在,我要你去想像 許多年前的一個(gè)分手的戀愛(ài)關(guān)系. 你要想像從那個(gè)破碎的關(guān)系,從那個(gè)男人那里 產(chǎn)生的所有消極的能量 都賦予給這塊碎玻璃. 把這塊碎玻璃當(dāng)成那個(gè)男人,好吧. 但我要求你必須非常認(rèn)真. 盯著這塊玻璃,忽略在場(chǎng)的所有人. 在這段時(shí)間里,你會(huì)感受到某些感覺(jué),好吧. 當(dāng)你感受到這種感覺(jué)的時(shí)候, 你要把這塊碎玻璃放進(jìn)瓶子里. 想想那個(gè)男人,那個(gè)混...呃..那個(gè)男人, (笑聲) 我正努力當(dāng)個(gè)好人. 好, 當(dāng)你有感覺(jué)的時(shí)候 -- 可能需要一些時(shí)間 -- 放進(jìn)瓶子里. 好了, 放進(jìn)去.

現(xiàn)在,想像著所有的消極的能量都在里面. 想著他的名字, 想著他, 在瓶子里面. 并且你要去搖晃這個(gè)瓶子來(lái) 釋放所有的消極能量 (笑聲) 那里面可真有不少消極能量啊. (笑聲) (掌聲) 我還需要你去想著他的名字. 看著我然后想他的名字. 你想起來(lái)他的名字了? 好,想一下他的名字有幾個(gè)字母組成. 想一下幾個(gè)字母在他的名字里. 有五個(gè)字母. 你沒(méi)反應(yīng),所以是四個(gè)字母. 想著他名字的一個(gè)字母. 想著這個(gè)字母. 他的名字有個(gè)K, 有個(gè)字母K. 想想我是怎么知道的, 因?yàn)槲业拿忠彩荎打頭的, 但他的名字不是K打頭的,是M打頭的. 下次你見(jiàn)到Mike的時(shí)候給我?guī)€(gè)問(wèn)候. 是他的名字嗎?

Nicole: 嗯嗯嗯 KB: 好的, 給她掌聲鼓勵(lì). (掌聲) 謝謝. (掌聲) 我還有一件事要分享給你. 實(shí)際上, Chris, 我本來(lái)要選你來(lái)參加, 但現(xiàn)在要你上來(lái)幫我選別人, 你能來(lái)為下個(gè)實(shí)驗(yàn)挑選一個(gè)受害者嗎? 并且受害人應(yīng)該是一個(gè)男士,這是唯一的要求.

Chris Anderson: 哦, 中. (河南話)

KB: 我本來(lái)打算選你的, 但我決定換人因?yàn)槊髂晡疫€想再來(lái)TED一次呢. (笑聲)

CA: 好吧, 為了獎(jiǎng)勵(lì)一個(gè)說(shuō)"eureka"并且 挑選 Michael Mercil 過(guò)來(lái)做演講的人--- Steve Jurvetson.

KB, 好, Steve, 快點(diǎn)上來(lái). (掌聲)

CA: 你知道!

KB: 好, Steve, 我要你坐下來(lái), 坐在這后面. 好極了. 現(xiàn)在, Steve -- 你可以檢查一下桌子下面. 繼續(xù), 我的桌子下面沒(méi)有高檔的輔助設(shè)備. 因?yàn)槲沂莻€(gè)魔術(shù)師,他們就認(rèn)為下面有什么東西, 再放上一塊不錯(cuò)的黑桌布. 給你. 好的. (笑聲) 我有四塊木頭墊子在這兒, Steve. 一個(gè), 兩個(gè), 三個(gè), 四個(gè). 現(xiàn)在, 它們除了這個(gè)其它全長(zhǎng)的一樣 這個(gè)顯然突出著一個(gè)不銹鋼長(zhǎng)釘. 我要你檢查它,并確保它是結(jié)實(shí)的. 滿(mǎn)意嗎?

Steve Jurvetson: 嗯... 是的.

KB: 好的, Steve, 我現(xiàn)在站在桌子前面, 當(dāng)我站在桌子前面的時(shí)候, 我要你把這些杯子放在墊子上,像這樣. 你想要放的任何順序都行, 然后把他們順序弄亂, 所以沒(méi)有人知道釘子在哪個(gè)里面, 好嗎? SJ: 觀眾里也沒(méi)人知道?

KB: 觀眾里也沒(méi)人知道, 幫你解決難題, 我會(huì)擋住他們的視線, 所以沒(méi)人看的見(jiàn)你在做什么. 我也不會(huì)看, 所以, 繼續(xù)弄亂順序. 好的,做好后叫我. (笑聲) 搞定了嗎?

SJ: 嗯嗯嗯, 快完了.

KB: 快完了, 哦, 好吧. 你得確定藏的好好的. 現(xiàn)在-- 哦,我們有了一體的.我們有了一體的. (掌聲) 好吧, 就這樣放這兒吧. (笑聲) 不過(guò),我會(huì)笑到最后的. (笑聲) 現(xiàn)在,Steve, 你知道釘子在哪兒. 但其他所有人不知道 我也不讓你知道在哪, 所以你轉(zhuǎn)過(guò)身去. 觀眾會(huì)監(jiān)督我不會(huì)?；ㄕ? 不行, 轉(zhuǎn)過(guò)身去. 現(xiàn)在, Steve, 回頭看吧. 現(xiàn)在, 你也不知道釘子在哪了, 而且我也不知道在哪. 現(xiàn)在, 你有沒(méi)有辦法通過(guò)遮眼布看見(jiàn)東西?

SJ: 要我?guī)?

KB: 不是,通過(guò)它能看見(jiàn)東西嗎?

SJ: 呃... 呃.....

KB: 看不見(jiàn)?

SK: 看不見(jiàn), 我什么也看不見(jiàn).

KB: 你看不到. 好極了. 現(xiàn)在, 我會(huì)帶上遮眼布. 別把它們堆起來(lái),好吧. 再次弄亂順序. 別動(dòng)杯子, 我不想讓任何人看到釘子在哪里. 但你要把木墊的順序弄亂, 然后排成一條線. 好嗎? 我會(huì)帶上遮眼布. 再把它們弄亂一次. 這次不要搞砸了. 好吧,繼續(xù), 弄亂它們. 我的手在這, 所以, 處境危險(xiǎn)... (笑聲) 搞定后叫我.

SJ: 搞定.

KB: 好吧, 你在哪里, 伸出來(lái)你的手. 你的右手, 這是嗎? 好的 在杯子上方時(shí)告訴我.

SJ: 你在一個(gè)杯子的上方.

KB: 現(xiàn)在, 我在一個(gè)杯子的上方?

SJ: 嗯.

KB: 現(xiàn)在, Steve, 你認(rèn)為釘子在這兒?jiǎn)? 有或者沒(méi)有?

SJ: 啊...! (笑聲)

KN: 我告訴你我會(huì)笑到最后的. (笑聲)

SJ: 我認(rèn)為釘沒(méi)在那.

KB: 沒(méi)有? 答案正確. (笑聲) (掌聲) 現(xiàn)在, 如果這個(gè)方向移動(dòng), 有沒(méi)有其它的杯子? SK: 我們能用左手做嗎?

KB: 哦, 不不不, 他要求用他的左手去做. 當(dāng)然不行. (笑聲)

KB: 現(xiàn)在, 如果這個(gè)方向移動(dòng), 有沒(méi)有另一個(gè)杯子?

SJ: 對(duì), 這個(gè)方向有一個(gè)杯子.

KB: 好的, 告訴我什么時(shí)候停.

SJ: 好了.

KB: 這里?

SJ: 對(duì), 這里有一個(gè).

KB: 好的, 你認(rèn)為這下面有沒(méi)有釘子. 有還是沒(méi)有? 這可是你的決定, 不是我的. (笑聲)

SJ: 我選擇沒(méi)有.

KB: 答案正確. (笑聲) 好的, 兩只手都給我. 現(xiàn)在, 把他們放在兩個(gè)杯子上. 你認(rèn)為釘子是在你的左手下面呢? 還是在你的右手下面呢?

SJ: 呃.... 都沒(méi)有.

KB: 都沒(méi)有? 哦.好吧. 但如果你猜一個(gè)呢. (笑聲)

SJ: 我想釘子應(yīng)該在我的右手下面. KB: 你認(rèn)為應(yīng)該在右手的下面? 現(xiàn)在你記住, 是你自己一直在做所有的決定. 心理學(xué)家們, 把這個(gè)整明白吧. 看看.

SJ: 噢..! (掌聲) 謝謝.

謝謝. 如果一會(huì)兒誰(shuí)還想看更多的花招. 我會(huì)在外面. 謝謝. (掌聲) 謝謝.

謝謝. (掌聲)

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